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000825161 020__ $$a9783319668994$$q(electronic book)
000825161 020__ $$a3319668994$$q(electronic book)
000825161 020__ $$z9783319668987
000825161 0247_ $$a10.1007/978-3-319-66899-4$$2doi
000825161 035__ $$aSP(OCoLC)on1015239868
000825161 035__ $$aSP(OCoLC)1015239868
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000825161 049__ $$aISEA
000825161 050_4 $$aN61
000825161 08204 $$a701.17$$223
000825161 1001_ $$aChristensen, Justin,$$eauthor.
000825161 24510 $$aSound and the aesthetics of play :$$ba musical ontology of constructed emotions /$$cJustin Christensen.
000825161 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018]
000825161 264_4 $$c©2018
000825161 300__ $$a1 online resource
000825161 336__ $$atext$$btxt$$2rdacontent
000825161 337__ $$acomputer$$bc$$2rdamedia
000825161 338__ $$aonline resource$$bcr$$2rdacarrier
000825161 347__ $$atext file$$bPDF$$2rda
000825161 4901_ $$aPalgrave Studies in Sound
000825161 504__ $$aIncludes bibliographical references and index.
000825161 5050_ $$aChapter 1. The Aesthetics of Play -- Chapter 2. Musical Emotion.- Chapter 3. The Dynamic Autonomous Artwork -- Chapter 4.Modes of Awareness -- Chapter 5. Conclusions.
000825161 506__ $$aAccess limited to authorized users.
000825161 520__ $$aThis book is an interdisciplinary project that brings together ideas from aesthetics, philosophy, psychology, and music sociology as an expansion of German philosopher Hans-Georg Gadamer?s theory on the aesthetics of play. This way of thinking focuses on an ontology of the process of musicking rather than an ontology of discovering fixed and static musical objects. In line with this idea, the author discusses the importance of participation and involvement in this process of musicking, whether as a listener or as a performer. Christensen then goes on to critique and update Gadamer's theory by presenting incompatibilities between it and recent theories of aesthetic emotions and embodiment. He proposes that emotions are ?constructed? rather than ?caused?, that the mind uses a system of ?filters? to respond to sonic stimuli and thus constructs (via play) aesthetic feelings and experiences. In turn, this approach provides music with a route into the development of social capital and inter-subjective communication. This work builds on the hermeneutical steps already taken by Gadamer and those before him, continuing his line of thought beyond his work. It will be of great interest to scholars in music aesthetics as well as a variety of other music related fields, including music psychology, philosophy and science and technology studies.
000825161 588__ $$aOnline resource; title from PDF title page (viewed December 21, 2017).
000825161 650_0 $$aAesthetics.
000825161 650_0 $$aSound.
000825161 77608 $$iPrint version: $$z9783319668987
000825161 830_0 $$aPalgrave studies in sound.
000825161 852__ $$bebk
000825161 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-66899-4$$zOnline Access$$91397441.1
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000825161 980__ $$aEBOOK
000825161 980__ $$aBIB
000825161 982__ $$aEbook
000825161 983__ $$aOnline
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