000825206 000__ 02742cam\a2200385Ii\4500 000825206 001__ 825206 000825206 005__ 20230306144301.0 000825206 006__ m\\\\\o\\d\\\\\\\\ 000825206 007__ cr\cn\nnnunnun 000825206 008__ 171214s2018\\\\si\\\\\\ob\\\\001\0\eng\d 000825206 020__ $$a9789811070921$$q(electronic book) 000825206 020__ $$a981107092X$$q(electronic book) 000825206 020__ $$z9789811070914 000825206 035__ $$aSP(OCoLC)on1015335598 000825206 035__ $$aSP(OCoLC)1015335598 000825206 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dOCLCF$$dUAB$$dAZU$$dMERER$$dOCLCQ$$dCOO$$dU3W$$dSNK 000825206 049__ $$aISEA 000825206 050_4 $$aN7475 000825206 08204 $$a701.18$$223 000825206 1001_ $$aDee, Liam,$$eauthor. 000825206 24510 $$aAgainst art and culture /$$cLiam Dee. 000825206 264_1 $$aSingapore :$$bPalgrave Macmillan,$$c2018. 000825206 300__ $$a1 online resource. 000825206 336__ $$atext$$btxt$$2rdacontent 000825206 337__ $$acomputer$$bc$$2rdamedia 000825206 338__ $$aonline resource$$bcr$$2rdacarrier 000825206 504__ $$aIncludes bibliographical references and index. 000825206 506__ $$aAccess limited to authorized users. 000825206 520__ $$aOffering a negative definition of art in relation to the concept of culture, this book establishes the concept of ?art/culture? to describe the unity of these two fields around named-labour, idealised creative subjectivity and surplus signification. Contending a conceptual and social reality of a combined ?art/culture? , this book demonstrates that the failure to appreciate the dynamic totality of art and culture by its purported negators is due to almost all existing critiques of art and culture being defences of a ?true? art or culture against ?inauthentic? manifestations, and art thus ultimately restricting creativity to the service of the bourgeois commodity regime. While the evidence that art/culture enables commodification has long been available, the deduction that art/culture itself is fundamentally of the world of commodification has failed to gain traction. By applying a nuanced analysis of both commodification and the larger systems of ideological power, the book considers how the ?surplus? of art/culture is used to legitimate the bourgeois status quo rather than unravel it. It also examines possibilities for a post-art/culture world based on both existing practices that challenge art/culture identity as well as speculations on the integration of play and aesthetics into general social life. An out-and-out negation of art and culture, this book offers a unique contribution to the cultural critique landscape. 000825206 588__ $$aOnline resource; title from PDF title page (viewed December 21, 2017) 000825206 650_0 $$aArt criticism. 000825206 852__ $$bebk 000825206 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-981-10-7092-1$$zOnline Access$$91397441.1 000825206 909CO $$ooai:library.usi.edu:825206$$pGLOBAL_SET 000825206 980__ $$aEBOOK 000825206 980__ $$aBIB 000825206 982__ $$aEbook 000825206 983__ $$aOnline 000825206 994__ $$a92$$bISE