000825582 000__ 02747cam\a2200457Ii\4500 000825582 001__ 825582 000825582 005__ 20230306144224.0 000825582 006__ m\\\\\o\\d\\\\\\\\ 000825582 007__ cr\cn\nnnunnun 000825582 008__ 180108s2018\\\\sz\\\\\\ob\\\\001\0\eng\d 000825582 019__ $$a1018459929 000825582 020__ $$a9783319682310$$q(electronic book) 000825582 020__ $$a3319682318$$q(electronic book) 000825582 020__ $$z9783319682303 000825582 020__ $$z331968230X 000825582 035__ $$aSP(OCoLC)on1018307600 000825582 035__ $$aSP(OCoLC)1018307600$$z(OCoLC)1018459929 000825582 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dYDX$$dAZU$$dUAB$$dMERER$$dSNK$$dCOO$$dOCLCQ 000825582 049__ $$aISEA 000825582 050_4 $$aPR8491 000825582 08204 $$a821.914099415$$223 000825582 1001_ $$aImpens, Florence,$$eauthor. 000825582 24510 $$aClassical presences in Irish poetry after 1960 :$$bthe answering voice /$$cFlorence Impens. 000825582 264_1 $$aCham :$$bPalgrave Macmillan,$$c2018. 000825582 300__ $$a1 online resource. 000825582 336__ $$atext$$btxt$$2rdacontent 000825582 337__ $$acomputer$$bc$$2rdamedia 000825582 338__ $$aonline resource$$bcr$$2rdacarrier 000825582 4901_ $$aThe new antiquity 000825582 504__ $$aIncludes bibliographical references and index. 000825582 5050_ $$a1. A Brief Introduction: Rationale and Objectives -- 2. The Classics in Modern Irish Poetry -- 3. Seamus Heaney: ?Lethe in Moyola? -- 4. Michael Longley: The ?Lapsed Classicist? -- 5. Derek Mahon and Eavan Boland: Marginal Perspectives -- 6. A Classical ?Revival?? -- Further Reading. 000825582 506__ $$aAccess limited to authorized users. 000825582 520__ $$aThis book provides the first overview of classical presences in Anglophone Irish poetry after 1960. Featuring detailed studies of Seamus Heaney, Michael Longley, Derek Mahon, and Eavan Boland, including close readings of key poems, it highlights the evolution of Irish poetic engagements with Greece and Rome in the last sixty years. It outlines the contours of a ?movement? which has transformed Irish poetry and accompanied its transition from a postcolonial to a transnational model, from sporadic borrowings of images and myths in the poets? early attempts to define their own voices, to the multiplication of classical adaptations since the late 1980s -- at first at a time of personal and political crises, notably in Northern Ireland, and more recently, as manifestations of the poets? engagements with European and other foreign literatures. 000825582 588__ $$aOnline resource; title from PDF title page (viewed January 10, 2018) 000825582 650_0 $$aIrish poetry$$xForeign influences. 000825582 77608 $$iPrint version: $$z9783319682303$$z331968230X$$w(OCoLC)1002128014 000825582 830_0 $$aNew antiquity. 000825582 852__ $$bebk 000825582 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-68231-0$$zOnline Access$$91397441.1 000825582 909CO $$ooai:library.usi.edu:825582$$pGLOBAL_SET 000825582 980__ $$aEBOOK 000825582 980__ $$aBIB 000825582 982__ $$aEbook 000825582 983__ $$aOnline 000825582 994__ $$a92$$bISE