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000825675 019__ $$a1020031397
000825675 020__ $$a9783319644318$$q(electronic book)
000825675 020__ $$a3319644319$$q(electronic book)
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000825675 035__ $$aSP(OCoLC)on1019678965
000825675 035__ $$aSP(OCoLC)1019678965$$z(OCoLC)1020031397
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000825675 08204 $$a791.43094309/05$$223
000825675 1001_ $$aNaiboglu, Gozde,$$eauthor.
000825675 24510 $$aPost-unification Turkish German cinema :$$bwork, globalisation and politics beyond representation /$$cGozde Naiboglu.
000825675 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan$$c[2018]
000825675 300__ $$a1 online resource (219 pages)
000825675 336__ $$atext$$btxt$$2rdacontent
000825675 337__ $$acomputer$$bc$$2rdamedia
000825675 338__ $$aonline resource$$bcr$$2rdacarrier
000825675 504__ $$aBibliographyPart iI Documentary Film; Chapter 4 Documentary and the Question of Representation; Turkish Migration in German Documentaries; Bibliography; Chapter 5 Materiality of Labour: Thomas Arslanâ#x80;#x99;s Aus der Ferne/From Far Away (2006) and Seyhan Derinâ#x80;#x99;s Ben Annemin Kızıyım/I Am My Motherâ#x80;#x99;s Daughter (1996); The Subjective Turn in Migrant Nonfiction Cinema; Thomas Arslanâ#x80;#x99;s From Far Away: Migrant Images; Seyhan Derinâ#x80;#x99;s I Am My Motherâ#x80;#x99;s Daughter: Biopolitics and Labour; Bibliography
000825675 5050_ $$aIntro; Acknowledgements; Contents; Chapter 1 Introduction; Turkish German Cinema Since the 1990s; The Spatial Turn; Postrepresentational Film Philosophy and the Ethics of Change; Overview; Bibliography; Part I The Berlin School and Turkish German Cinema; Chapter 2 Thomas Arslanâ#x80;#x99;s Berlin Trilogy; An Ethics of Individuation: Geschwister (1997); Ethics Versus Morality; Differential Subjectivities: Dealer (1999); Beyond Movement: Der Schöne Tag; Subjectivity Production as a Process; Bibliography; Chapter 3 Christian Petzoldâ#x80;#x99;s Jerichow (2009); The Aesthetic Economy of the Virtual
000825675 5058_ $$aChapter 6 Postrepresentationalism as a Political Strategy: Aysun Bademsoyâ#x80;#x99;s Am Rand der Städte/On the Outskirts (2006) and Ehre/Honour (2011)On the Outskirts; Ehre; Postrepresentationalism; Bibliography; Chapter 7 Machinic Semiotics: Harun Farockiâ#x80;#x99;s Aufstellung/In-Formation (2005); The Im/Perceptible, the Visible and the Articulable; In-Formation; Images and Words; Powers of the Fragment; Bibliography; Part III Social Realism; Chapter 8 Viewing Against the Grain: Feo Aladagâ#x80;#x99;s Die Fremde/When We Leave (2010); The Time-Image and Break from Representationalism
000825675 5058_ $$aAffectability, Cliché and the Crystallisation of NarrativesMolar Organisation and Reterritorialisation of the Narrative Lines; Bibliography; Chapter 9 Queering the Ethics of Migration: Yüksel Yavuzâ#x80;#x99;s Kleine Freiheit/A Little Bit of Freedom (2003); Queer Ethics; A Little Bit of Freedom; Representation and Affect; The Ethical Turn in the Social Realist Cinema of Europe; Queering Representational Politics; Bibliography; Chapter 10 Conclusion; Bibliography; Bibliography; Index
000825675 506__ $$aAccess limited to authorized users.
000825675 5208_ $$aThis book offers a post-representational approach to a range of fiction and non-fiction films that deal with labour migration from Turkey to Germany. Engaging with materialist philosophies of process, it offers analyses of films by Thomas Arslan, Christian Petzold, Aysun Bademsoy, Seyhan Derin, Harun Farocki, Yüksel Yavuz and Feo Aladag. Shifting the focus from the longstanding concerns of integration, identity and cultural conflict, Gozde Naiboglu shows that these films offer new expressions of lived experience under late capitalism through themes of work, social reproduction, unemployment and insecure work, exhaustion and precarity, thereby calling for a rethinking of the established ideas of class, community and identity.
000825675 588__ $$aDescription based on print version record.
000825675 650_0 $$aMotion pictures, Turkish$$zGermany$$xHistory$$y21st century.
000825675 650_0 $$aMotion pictures, Turkish$$zGermany$$xHistory$$y20th century.
000825675 650_0 $$aMotion pictures$$zGermany$$xHistory$$y21st century.
000825675 650_0 $$aMotion pictures$$zGermany$$xHistory$$y20th century.
000825675 650_0 $$aStereotypes (Social psychology) in motion pictures.
000825675 650_0 $$aCulture in motion pictures.
000825675 650_0 $$aMotion pictures and transnationalism.
000825675 77608 $$iPrint version:$$aNaiboglu, Gozde.$$tPost-unification Turkish German cinema. Work, globalisation and politics beyond representation.$$dCham : Palgrave Macmillan 2017$$z9783319644301$$w(OCoLC)1010724418
000825675 852__ $$bebk
000825675 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-64431-8$$zOnline Access$$91397441.1
000825675 909CO $$ooai:library.usi.edu:825675$$pGLOBAL_SET
000825675 980__ $$aEBOOK
000825675 980__ $$aBIB
000825675 982__ $$aEbook
000825675 983__ $$aOnline
000825675 994__ $$a92$$bISE