000826488 000__ 05635cam\a2200541Ii\4500
000826488 001__ 826488
000826488 005__ 20230306144405.0
000826488 006__ m\\\\\o\\d\\\\\\\\
000826488 007__ cr\cn\nnnunnun
000826488 008__ 180228s2018\\\\sz\a\\\\o\\\\\000\0\eng\d
000826488 019__ $$a1026407421$$a1029075842$$a1030295456
000826488 020__ $$a9783319699325$$q(electronic book)
000826488 020__ $$a3319699326$$q(electronic book)
000826488 020__ $$z9783319699318
000826488 0247_ $$a10.1007/978-3-319-69932-5$$2doi
000826488 035__ $$aSP(OCoLC)on1025340968
000826488 035__ $$aSP(OCoLC)1025340968$$z(OCoLC)1026407421$$z(OCoLC)1029075842$$z(OCoLC)1030295456
000826488 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dN$T$$dAZU$$dUAB$$dOCLCF$$dUPM$$dMERER$$dOCLCQ
000826488 049__ $$aISEA
000826488 050_4 $$aQA76.9.A94
000826488 08204 $$a006.8$$223
000826488 24500 $$aAugmented reality art :$$bfrom an emerging technology to a novel creative medium /$$cedited by Vladimir Geroimenko.
000826488 250__ $$aSecond edition.
000826488 264_1 $$aCham, Switzerland :$$bSpringer,$$c2018.
000826488 300__ $$a1 online resource (xxii, 384 pages) :$$billustrations.
000826488 336__ $$atext$$btxt$$2rdacontent
000826488 337__ $$acomputer$$bc$$2rdamedia
000826488 338__ $$aonline resource$$bcr$$2rdacarrier
000826488 347__ $$atext file$$bPDF$$2rda
000826488 4901_ $$aSpringer series on cultural computing,$$x2195-9056
000826488 5050_ $$aIntro; Preface; Contents; Contributors; Emerging Augmented Reality Technology and the Birth of Augmented Reality Art; 1 Augmented Reality Activism; 1.1 Introduction; 1.2 Past Activists and Their Technology; 1.3 Augmented Reality Activism; 1.4 The Case for Augmented Reality; 1.5 Augmented Reality Activism in the Present; 1.6 Exposing the Unseen; 1.7 Cultural Loss; 1.8 Augmented Reality and Censorship; 1.9 Augmented Reality for Protest; 1.10 Augmented Reality Flash Mobs; 1.11 Augmented Reality Distributed Action; 1.12 Augmented Reality Environmental Activism; 1.13 Augmented Reality Monuments
000826488 5058_ $$a1.14 Extreme Augmented Reality Activism1.15 Augmented Reality Communication and Creation; 1.16 Negative Aspects of Augmented Reality; 1.17 The Next Generation of Activist Work; 1.17.1 Multi-user Networked Experiences and Telepresence for AR Activism; 1.17.2 The Empathy Machine; 1.17.3 User Experience; 1.17.4 Considerations and Problems; 1.17.5 Test Subjects; 1.17.6 Outcome; 1.18 Dangers Facing the Digital Activist; 1.19 The Future; 1.20 Closing; Acknowledgements; References; 2 Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials
000826488 5058_ $$a2.1 Introduction2.2 Challenging and Exploiting the Primacy of Site; 2.3 Site as Canvas and Context; 2.4 Manifest.AR Venice Biennale Intervention Themes and Concerns; 2.5 Manifest.AR Artworks in the Venice Biennale Intervention; 2.6 Veniceâ#x80;#x93;Lewisburgâ#x80;#x93;Istanbul; 2.7 â#x80;#x9C;Invisible Istanbulâ#x80;#x9D;: Istanbul Biennale 2011 AR Intervention; 2.8 Conclusions; Acknowledgements; References; 3 ART for Art: Augmented Reality Taxonomy for Art and Cultural Heritage; 3.1 Introduction; 3.2 Review of AR Taxonomies; 3.3 Activity-Based Taxonomy Method; 3.4 AR Taxonomy for Art and Cultural Heritage
000826488 5058_ $$a3.4.1 Activity Model3.4.2 Taxonomy; 3.5 Results of Classification; 3.5.1 Context of Use and AR Technology; 3.5.2 Activity Support; 3.5.3 Analytical Activity; 3.5.4 Sensitive Activity; 3.5.5 Communication; 3.5.6 Personalization; 3.6 Conclusion; Acknowledgements; References; 4 Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Being; 4.1 Introduction; 4.2 Ubimage; 4.3 Apparatus; 4.4 Theoria; 4.5 The Malala Test; 4.6 Obscenario; 4.7 Ordinary Aura; 4.8 Choragraphy; 4.9 Aesthetic Attitude; 4.10 Rationale; 4.11 Quasi-object; References
000826488 5058_ $$a5 Augmented Interventions: Redefining Urban Interventions with AR and Open Data5.1 Augmented Reality; 5.2 Data-Driven Art; 5.3 NAMAland; 5.4 Reception and Activation; 5.5 Peripatetic Activism; 5.6 Open Data; 5.7 The Future of AR Art; References; Augmented Reality as an Artistic Medium; 6 The Aesthetics of Liminality: Augmentation as an Art Form; 6.1 Introduction; 6.2 The Gaze, the Overlay, and the Retinal; 6.3 Queering Augmentation; 6.4 The Semiotics of AR; 6.5 The Structure of the Gesture in Augmented Reality Art: Fiducial, Planar, Locative/GPS, Environmental, and Embodied/Wearable
000826488 506__ $$aAccess limited to authorized users.
000826488 520__ $$aThis is the second edition of the first ever book to explore the exciting new field of augmented reality art and its enabling technologies. The new edition has been thoroughly revised and updated, and contains 5 new chapters. As well as investigating augmented reality as a novel artistic medium the book covers cultural, social, spatial and cognitive facets of augmented reality art. Intended as a starting point for exploring this new fascinating area of research and creative practice it will be essential reading not only for artists, researchers and technology developers, but also for students (graduates and undergraduates) and all those interested in emerging augmented reality technology and its current and future applications in art.
000826488 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed February 28, 2018).
000826488 650_0 $$aAugmented reality.
000826488 650_0 $$aComputer art.
000826488 650_0 $$aComputer graphics.
000826488 7001_ $$aGeroimenko, Vladimir,$$d1955-$$eeditor.
000826488 77608 $$iPrint version: $$z9783319699318
000826488 830_0 $$aSpringer series on cultural computing.
000826488 852__ $$bebk
000826488 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-69932-5$$zOnline Access$$91397441.1
000826488 909CO $$ooai:library.usi.edu:826488$$pGLOBAL_SET
000826488 980__ $$aEBOOK
000826488 980__ $$aBIB
000826488 982__ $$aEbook
000826488 983__ $$aOnline
000826488 994__ $$a92$$bISE