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000827399 019__ $$a1003252433$$a1008875112
000827399 020__ $$a9783319551739$$q(electronic book)
000827399 020__ $$a3319551736$$q(electronic book)
000827399 020__ $$z9783319551722
000827399 020__ $$z3319551728
000827399 0247_ $$a10.1007/978-3-319-55173-9$$2doi
000827399 035__ $$aSP(OCoLC)on1003192542
000827399 035__ $$aSP(OCoLC)1003192542$$z(OCoLC)1003252433$$z(OCoLC)1008875112
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000827399 049__ $$aISEA
000827399 050_4 $$aHM831
000827399 08204 $$a301
000827399 08204 $$a700.103094$$223
000827399 24500 $$aRegimes of invisibility in contemporary art, theory and culture :$$bimage, racialization, history /$$cMarina Gržinić, Aneta Stojnić, Miško Šuvaković.
000827399 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2017]
000827399 300__ $$a1 online resource.
000827399 336__ $$atext$$btxt$$2rdacontent
000827399 337__ $$acomputer$$bc$$2rdamedia
000827399 338__ $$aonline resource$$bcr$$2rdacarrier
000827399 347__ $$atext file$$bPDF$$2rda
000827399 504__ $$aIncludes bibliographical references and index.
000827399 5050_ $$aRegimes of Invisibility in Contemporary Art, Theory and Culture; Contents; List of Tables and Figures; 1 Introduction: Image, Racialization, History; Part I Theoretical-Political Interventions; 2 Racialized Bodies and the Digital (Financial) Mode of Production; Introduction; Part 1: From the Cinematic Image to...; The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form; The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form; Time Through Space; The Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form
000827399 5058_ $$aThe Time-Image-Direct-Time Interval-Anteriority of Space-Serial FormThe Movement-Image-Indirect-Time Interval-Exteriority of Space-Organic Form-Nation; The Time-Image-Direct-Time Interval-Anteriority of Space-Serial Form-Postwar Middle Class, A New Form Of Intellectual, The Bourgeoisie; Shifts in the Space-Time Paradigm; Part 2: In Cyberspace with the Virtual-Image; Space Through Time; The Virtual-Image-Real-Time Interval-Non-Space-Synthetic (Artificial, Simulated) Form; The Virtual-Image-Real-Time Interval-Non-Space-Synthetic (Artificial, Simulated) Form-The Multitude, Swarms
000827399 5058_ $$aPart 3: In The Midst of The Trophy Image, or Europe's Forgotten History: From "Human Zoos" to "Human Trophies" Displayed in Colonial MuseumsRacialized Space and Time; The Trophy-Image-Without Time-Erased Space-Racialized Form; The Trophy-Image-Without Time-Erased Space-Racialized Form-The Wretched (The Superfluous and The Disposable); Notes; 3 Politics and Aesthetics of Databases and Forensics; Expanding the Visions of Governmentality Beyond the West and Back; Database as Major Global Neoliberal Governmental Technology; Practices and Forms of Knowledge Production and Visibility
000827399 5058_ $$a"The ICTY's Archive/database"Public Exhibition as a "Forum"; Databases and (im)possibility; Notes; 4 The Emancipation of Necrocapitalism: Teleological Function of Liberalism and the Optimization of Hegemony; Depoliticization of Ideology; The Sovereignty of Hegemony; The Teleology of Transgression; Notes; 5 The Impact of Western Society onto the Identity Politics of Sexual and Gender Minorities in Colonial and Post-colonial India; Global queering; Imposing Western Epistemology
000827399 5058_ $$aWestern Concept/Construct of Homosexuality, Trans* Identity and its Transposition to India in The Colonial and Post-colonial EraNotes; Part II Visual and Curatorial Deconstructions; 6 Radical Contemporaneity; Introduction; Case 1: Labyrinth; Case 2: Naked Freedom; Case 3: Relations; Case 4: Seizure; Conclusion; Notes; 7 Affective Constructions: Image-Racialisation-History; Dialogue: The Dialectic of a Profile; Effect, Intensity, and Reconstruction: Differences in History and Geography; Who Are You? Who Am I?; A Conclusion About the Logistics of Moving; Notes
000827399 506__ $$aAccess limited to authorized users.
000827399 520__ $$aThis book places a focus on the regimes of in/visibility and representation in Europe and offers an innovative perspective on the topic of global capitalism in relation to questions of race, class, gender and migration, as well as historicization of biopolitics and (de)coloniality. The aim of this volume is to revisit theories of art, new media technology, and aesthetics under the weight of political processes of discrimination, racism, anti-Semitism and new forms of coloniality in order to propose a new dispositive of the ontology and epistemology of the image, of life and capitalism as well as labor and modes of life. This book is firmly embedded in the present moment, when due to rapid and major changes on all levels of political and social reality the need for rearticulation in theoretical, artistic and political practices and rethinking of historical narratives becomes almost tangible.
000827399 588__ $$aOnline resource; title from PDF title page (viewed September 19, 2017).
000827399 650_0 $$aArts and society$$zEurope.
000827399 650_0 $$aSocial change.
000827399 650_0 $$aMass media$$xTechnological innovations.
000827399 650_0 $$aTechnological innovations$$xSocial aspects.
000827399 650_0 $$aRacism.
000827399 7001_ $$aGržinić, Marina,$$d1958-$$eeditor.
000827399 7001_ $$aStojnić, Aneta,$$eeditor.
000827399 7001_ $$aŠuvaković, Miško,$$eeditor.
000827399 77608 $$iPrint version: $$z3319551728$$z9783319551722$$w(OCoLC)972774301
000827399 852__ $$bebk
000827399 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-55173-9$$zOnline Access$$91397441.1
000827399 909CO $$ooai:library.usi.edu:827399$$pGLOBAL_SET
000827399 980__ $$aEBOOK
000827399 980__ $$aBIB
000827399 982__ $$aEbook
000827399 983__ $$aOnline
000827399 994__ $$a92$$bISE