Hermeneutics of the film world : a Ricœurian method for film interpretation / Albert Baracco.
Baracco, Alberto, author.
2017
PN1995 .B37 2017
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Title Hermeneutics of the film world : a Ricœurian method for film interpretation / Albert Baracco.
Author Baracco, Alberto, author.
ISBN 9783319654003
3319654004
3319653997
9783319653990
DOI https://doi.org/10.1007/978-3-319-65400-3
Published Cham, Switzerland : Palgrave Macmillan, [2017]
Language English
Description 1 online resource
Other Standard Identifiers 10.1007/978-3-319-65400-3 doi
Call Number PN1995 .B37 2017
Dewey Decimal Classification 100
Summary This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty's and Ricœur's philosophies, and reconsidering Goodman's theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.
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Source of Description Description based on print version record.
Available in Other Form Hermeneutics of the Film World : A Ricœurian Method for Film Interpretation.
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Part I Definition of the Method: Chapter 1 Film and Philosophy
Chapter 2 Phenomenology of Film
Chapter 3 Film Worlds
Chapter 4 Hermeneutics of Film
Chapter 5 Film Hermeneutic Method
Part II Application of the Method: Chapter 6 Case Studies
Chapter 7 Manhattan: The Film World as Identity
Chapter 8 The King of Comedy: The Film World as Representation
Chapter 9 Pretty Woman: The Film World as Dream.

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