000827465 000__ 02996cam\a2200493Ii\4500 000827465 001__ 827465 000827465 005__ 20230306144516.0 000827465 006__ m\\\\\o\\d\\\\\\\\ 000827465 007__ cr\un\nnnunnun 000827465 008__ 171028s2017\\\\sz\\\\\\o\\\\\000\0\eng\d 000827465 019__ $$a1006471029$$a1018385642 000827465 020__ $$a9783319654003 000827465 020__ $$a3319654004 000827465 020__ $$z3319653997 000827465 020__ $$z9783319653990 000827465 0247_ $$a10.1007/978-3-319-65400-3$$2doi 000827465 035__ $$aSP(OCoLC)on1007926252 000827465 035__ $$aSP(OCoLC)1007926252$$z(OCoLC)1006471029$$z(OCoLC)1018385642 000827465 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dIDB$$dOCLCQ$$dMERUC$$dLOA$$dOCLCO$$dYDX$$dOCLCF$$dOH1 000827465 049__ $$aISEA 000827465 050_4 $$aPN1995$$b.B37 2017 000827465 08204 $$a100 000827465 1001_ $$aBaracco, Alberto,$$eauthor. 000827465 24510 $$aHermeneutics of the film world :$$ba Ricœurian method for film interpretation /$$cAlbert Baracco. 000827465 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2017] 000827465 300__ $$a1 online resource 000827465 336__ $$atext$$btxt$$2rdacontent 000827465 337__ $$acomputer$$bc$$2rdamedia 000827465 338__ $$aonline resource$$bcr$$2rdacarrier 000827465 347__ $$atext file$$bPDF$$2rda 000827465 5050_ $$aPart I Definition of the Method: Chapter 1 Film and Philosophy -- Chapter 2 Phenomenology of Film -- Chapter 3 Film Worlds -- Chapter 4 Hermeneutics of Film -- Chapter 5 Film Hermeneutic Method -- Part II Application of the Method: Chapter 6 Case Studies -- Chapter 7 Manhattan: The Film World as Identity -- Chapter 8 The King of Comedy: The Film World as Representation -- Chapter 9 Pretty Woman: The Film World as Dream. 000827465 506__ $$aAccess limited to authorized users. 000827465 520__ $$aThis book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty's and Ricœur's philosophies, and reconsidering Goodman's theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics. 000827465 588__ $$aDescription based on print version record. 000827465 60010 $$aRicœur, Paul. 000827465 650_0 $$aFilm criticism. 000827465 650_0 $$aFilm criticism$$xPhilosophy. 000827465 650_0 $$aCritical theory. 000827465 650_0 $$aPhenomenology. 000827465 77608 $$iPrint version:$$aBaracco, Alberto.$$tHermeneutics of the Film World : A Ricœurian Method for Film Interpretation.$$dCham : Springer International Publishing, ©2017$$z9783319653990 000827465 852__ $$bebk 000827465 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-65400-3$$zOnline Access$$91397441.1 000827465 909CO $$ooai:library.usi.edu:827465$$pGLOBAL_SET 000827465 980__ $$aEBOOK 000827465 980__ $$aBIB 000827465 982__ $$aEbook 000827465 983__ $$aOnline 000827465 994__ $$a92$$bISE