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000827674 019__ $$a1013595994$$a1017868899$$a1017944920$$a1018298031$$a1019921428
000827674 020__ $$a9781137596161$$q(electronic book)
000827674 020__ $$a1137596163$$q(electronic book)
000827674 020__ $$z9781137596154
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000827674 0247_ $$a10.1057/978-1-137-59616-1$$2doi
000827674 035__ $$aSP(OCoLC)on1013826786
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000827674 049__ $$aISEA
000827674 050_4 $$aPN1995.9.H364$$bM53 2017
000827674 1001_ $$aMichelle, Carolyn,$$eauthor.
000827674 24510 $$aFans, blockbusterisation, and the transformation of cinematic desire :$$bglobal receptions of the 'Hobbit' film trilogy /$$cCarolyn Michelle, Charles H. Davis, Ann L. Hardy, Craig Hight.
000827674 264_1 $$aLondon :$$bPalgrave MacMillan,$$c[2017]
000827674 264_4 $$c©2017
000827674 300__ $$a1 online resource (350 pages)
000827674 336__ $$atext$$btxt$$2rdacontent
000827674 337__ $$acomputer$$bc$$2rdamedia
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000827674 5050_ $$aReturning to Middle-earth, in blockbusterised form -- Researching audience engagements with the Hobbit trilogy : a unique methodological approach -- Adaptation, anticipation and cinematic desires : prefigurative engagements with a blockbuster fantasy franchise -- Unexpected controversies cast a shadow over Middle-earth -- The saga begins : mapping audience reactions to An unexpected journey -- The rise of the Hobbit critic : from The desolation of Smaug to The battle of the five armies -- Pioneering cinematic technologies and The Hobbit's hyperreality paradox -- On the transformation of meaning and cinematic desire -- Making sense of difference : how social location and identity shaped engagements with the Hobbit trilogy -- Conclusion and methodogical reflections on a unique project.
000827674 506__ $$aAccess limited to authorized users.
000827674 5208_ $$aThis book explores the evolution of audience receptions of Peter Jackson's Hobbit trilogy (2012-14) as an exemplar of the contemporary blockbuster event film franchise. Drawing on findings from a unique cross-cultural and longitudinal study, the authors argue that processes and imperatives associated with Hollywood 'blockbusterisation' shaped the trilogy's conditions of production, format, content, and visual aesthetic in ways that left many viewers progressively disenchanted. The chapters address public and private prefigurations of the Hobbit trilogy, modes of reception, new cinematic technologies and the Hobbit hyperreality paradox, gender representations, adaptation and the transformation of cinematic desire, and the role of social and cultural location in shaping audience engagement and response. This book will appeal to audience researchers, Q methodologists, scholars and students in film and media studies, Tolkien scholars, and Hobbit fans and critics alike.
000827674 60010 $$aTolkien, J. R. R.$$q(John Ronald Reuel),$$d1892-1973.$$tHobbit.
000827674 63000 $$aHobbit, an unexpected journey (Motion picture)
000827674 63000 $$aHobbit, the battle of the five armies (Motion picture)
000827674 63000 $$aHobbit, the desolation of Smaug (Motion picture)
000827674 650_0 $$aMotion picture audiences.
000827674 650_0 $$aFans (Persons)
000827674 650_0 $$aFilm criticism.
000827674 7001_ $$aDavis, Charles,$$eauthor.
000827674 7001_ $$aHardy, Ann,$$d1955-$$eauthor.
000827674 7001_ $$aHight, Craig,$$eauthor.
000827674 77608 $$iPrint version:$$z1137596155$$z9781137596154$$w(OCoLC)1010719898
000827674 85280 $$bebk$$hSpringerLink
000827674 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-59616-1$$zOnline Access$$91397441.1
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000827674 980__ $$aEBOOK
000827674 980__ $$aBIB
000827674 982__ $$aEbook
000827674 983__ $$aOnline
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