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000827900 010__ $$a  2017059718
000827900 020__ $$a9781503606579$$q(electronic book)
000827900 020__ $$a1503606570$$q(electronic book)
000827900 020__ $$z9780804797993
000827900 035__ $$a(DLC)EBC5354313
000827900 040__ $$aNhCcYBP$$cNhCcYBP
000827900 042__ $$apcc
000827900 043__ $$an-us---
000827900 050_4 $$aPS325$$b.S49 2018
000827900 08200 $$a811/.5409$$223
000827900 1001_ $$aShaw, Lytle,$$eauthor.
000827900 24510 $$aNarrowcast :$$bpoetry and audio research /$$cLytle Shaw.
000827900 264_1 $$aStanford, California :$$bStanford University Press,$$c[2018]
000827900 300__ $$a1 online resource.
000827900 336__ $$atext$$btxt$$2rdacontent
000827900 337__ $$acomputer$$bc$$2rdamedia
000827900 338__ $$aonline resource$$bcr$$2rdacarrier
000827900 4901_ $$aPost-45
000827900 500__ $$aThrough four case studies of how mid-century American poetry used recording technologies to contest models of time being put forward by dominant media and the State, Narrowcast explores how poets Allen Ginsberg, Charles Olson, Larry Eigner and Amiri Baraka mobilized recording as a new form of sonic field research even while they were being subject to tape-based surveillance by the CIA and the FBI.
000827900 500__ $$aExplores how poets associated with the New Left mobilized tape recording as a new form of sonic field research even as they themselves were being subject to tape-based surveillance. Media theorists tend to understand audio recording as a technique for separating bodies from sounds, but this book listens closely to tape's embedded information, offering a counterintuitive site-specific account of 1960s poetic recordings. Allen Ginsberg, Charles Olson, Larry Eigner, and Amiri Baraka all used recording to contest models of time being put forward by dominant media and the state, exploring non-monumental time and subverting media schedules of work, consumption, leisure, and national crises. Surprisingly, their methods at once dovetailed with those of the state collecting evidence against them and ran up against the same technological limits. Arguing that CIA and FBI "researchers" shared unexpected terrain not only with poets but with famous theorists such as Fredric Jameson and Hayden White, Lytle Shaw reframes the status of tape recordings in postwar poetics and challenges notions of how tape might be understood as a mode of evidence.
000827900 504__ $$aIncludes bibliographical references and index.
000827900 5050_ $$aThird personism : the FBI's poetics of immediacy in the 1960s -- The Eigner sanction : keeping time from the American century -- Olson's sonic walls : citizenship and surveillance from the OWI to the Nixon tapes -- The strategic idea of north : Glenn Gould, Sergeant Jones and White Alice.
000827900 506__ $$aAccess limited to authorized users
000827900 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000827900 588__ $$aDescription based on online resource; title from digital title page (viewed on May 11, 2018).
000827900 650_0 $$aAmerican poetry$$y20th century$$xHistory and criticism.
000827900 650_0 $$aSound$$xRecording and reproducing$$xHistory$$y20th century.
000827900 650_0 $$aSound recordings and the arts$$zUnited States$$xHistory$$y20th century.
000827900 650_0 $$aElectronic surveillance$$zUnited States$$xHistory$$y20th century.
000827900 650_0 $$aNew Left$$zUnited States$$xHistory$$y20th century.
000827900 650_0 $$aOral interpretation of poetry.
000827900 650_0 $$aPoetics.
000827900 7102_ $$aProQuest (Firm)
000827900 77608 $$iPrint version:$$aShaw, Lytle.$$tNarrowcast.$$dStanford, California : Stanford University Press, 2018$$z9780804797993$$w(DLC) 2017055027
000827900 830_0 $$aPost 45.
000827900 852__ $$bebk
000827900 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5354313$$zOnline Access
000827900 909CO $$ooai:library.usi.edu:827900$$pGLOBAL_SET
000827900 980__ $$aEBOOK
000827900 980__ $$aBIB
000827900 982__ $$aEbook
000827900 983__ $$aOnline