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Table of Contents
Cover; Contents; Foreword; Acknowledgments; Demonology, Sade-ism, and Samuel Beckett's Decadent Turn: An Introduction; PART ONE A Professional Life; 1 Samuel Beckett and Lace Curtain Irish Modernisms; 2 Publishing in America: Sam and Barney; 3 Eleutheria: Samuel Beckett's Suppressed Bohemian Manifesto; PART TWO A Theatrical Life; 4 Textual Aberrations, Ghost Texts, and the British Godot: A Saga of Censorship; 5 "nothingness/in words enclose?": Waiting for Godot; 6 An End to Endings: Samuel Beckett's End Game(s); 7 Samuel Beckett's Art of Self-collaboration
8 Beckett's Keyhole Art: Voyeurism, Schaulust, and the Perversions of Theater9 "He wants to know if it hurts!": The Body as Text in Samuel Beckett's Theater; PART THREE A Philosophical Life; 10 Theoretical and Theatrical Intersections: Samuel Beckett, Herbert Blau, Civil Rights, and the Politics of Godot; 11 Beckett and the Revisioning of Modernism(s): Molloy; 12 A Sense of Unending: Fictions for the End of Time; 13 The Death of Style: Samuel Beckett's Art of Repetition, Pastiche, and Cutups; Bibliography; Index
8 Beckett's Keyhole Art: Voyeurism, Schaulust, and the Perversions of Theater9 "He wants to know if it hurts!": The Body as Text in Samuel Beckett's Theater; PART THREE A Philosophical Life; 10 Theoretical and Theatrical Intersections: Samuel Beckett, Herbert Blau, Civil Rights, and the Politics of Godot; 11 Beckett and the Revisioning of Modernism(s): Molloy; 12 A Sense of Unending: Fictions for the End of Time; 13 The Death of Style: Samuel Beckett's Art of Repetition, Pastiche, and Cutups; Bibliography; Index