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Introduction
'Improbable fictions': Shakespeare's plays without the plays
Versatility and verisimilitude on sixteenth-century stages
Doubling in The Winter's Tale
Dramaturgical directives and Shakespeare's cast size
Doubling in A Midsummer Night's Dream and Romeo and Juliet
'What, are they children?': Reconsidering Shakespeare's 'boy' actors
Doubling in Twelfth Night and Othello
Epilogue: Ragozine and Shakespearean substitution
Appendix: Doubling roles in Shakespeare's plays.

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