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The notion of allusion as narrative premise in Brahms's instrumental music
Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical
Meaning in the B-major piano trio, op. 8
Musical memory and the D-major serenade, op. 11
An historical model, an emerging soloist, a young composer in turmoil: the piano
Concerto in D minor, op. 15
A later example: tragic antiquarianism in Brahms's fourth symphony.
Lovelorn lamentation, or histrionic historicism?: re-examining allusion and extramusical
Meaning in the B-major piano trio, op. 8
Musical memory and the D-major serenade, op. 11
An historical model, an emerging soloist, a young composer in turmoil: the piano
Concerto in D minor, op. 15
A later example: tragic antiquarianism in Brahms's fourth symphony.