000838450 000__ 03400cam\a2200493Ii\4500 000838450 001__ 838450 000838450 005__ 20230306144542.0 000838450 006__ m\\\\\o\\d\\\\\\\\ 000838450 007__ cr\un\nnnunnun 000838450 008__ 180409s2018\\\\enk\\\\\ob\\\\001\0\eng\d 000838450 019__ $$a1031047136$$a1031203312$$a1031310592$$a1034550317 000838450 020__ $$a9781137393470$$q(electronic book) 000838450 020__ $$a1137393475$$q(electronic book) 000838450 020__ $$z9781137393463 000838450 020__ $$z1137393467 000838450 0247_ $$a10.1057/978-1-137-39347-0$$2doi 000838450 035__ $$aSP(OCoLC)on1030892282 000838450 035__ $$aSP(OCoLC)1030892282$$z(OCoLC)1031047136$$z(OCoLC)1031203312$$z(OCoLC)1031310592$$z(OCoLC)1034550317 000838450 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dYDX$$dEBLCP$$dOCLCF$$dAZU$$dJG0$$dUAB$$dOCLCQ 000838450 049__ $$aISEA 000838450 050_4 $$aPN1995.9.H6 000838450 08204 $$a791.436164$$223 000838450 1001_ $$aHubner, Laura,$$d1970-$$eauthor. 000838450 24510 $$aFairytale and Gothic Horror :$$bUncanny Transformations in Film /$$cLaura Hubner. 000838450 264_1 $$aLondon, United Kingdom :$$bPalgrave Macmillan,$$c[2018] 000838450 264_4 $$c©2018 000838450 300__ $$a1 online resource. 000838450 336__ $$atext$$btxt$$2rdacontent 000838450 337__ $$acomputer$$bc$$2rdamedia 000838450 338__ $$aonline resource$$bcr$$2rdacarrier 000838450 347__ $$atext file$$bPDF$$2rda 000838450 504__ $$aIncludes bibliographical references and index. 000838450 5050_ $$aIntro; Preface; Acknowledgements; Contents; List of Figures; Chapter 1 Introduction; References; Chapter 2 Fairytale Roots and Transformations; References; Chapter 3 Gothic Transgression, Horror and Film; References; Chapter 4 Rebecca Returns: Death and Renewal Beyond the Door; References; Chapter 5 Encountering the Werewolf-Confronting the Self: On and Off the Path to The Company of Wolves; References; Chapter 6 The Horror in Pan's Labyrinth: Beneath the Rhetoric of Hope and Fear; References; Chapter 7 Afterword: Uncanny Transformations in Film; Index 000838450 506__ $$aAccess limited to authorized users. 000838450 520__ $$aThis book explores the idiosyncratic effects generated as fairytale and gothic horror join, clash or merge in cinema. Identifying long-held traditions that have inspired this topical phenomenon, the book features close analysis of classical through to contemporary films. It begins by tracing fairytale and gothic origins and evolutions, examining the diverse ways these have been embraced and developed by cinema horror. It moves on to investigate films close up, locating fairytale horror, motifs and themes and a distinctively cinematic gothic horror. At the book’s core are recurring concerns including: the boundaries of the human; rational and irrational forces; fears and dreams; ‘the uncanny’ and transitions between the wilds and civilization. While chronology shapes the book, it is thematically driven, with an interest in the cultural and political functions of fairytale and gothic horror, and the levels of transgression or social conformity at the heart of the films. 000838450 588__ $$aOnline resource; title from PDF title page (viewed April 10, 2018). 000838450 650_0 $$aHorror films$$xHistory and criticism. 000838450 650_0 $$aFairy tales in motion pictures. 000838450 650_0 $$aFolklore in motion pictures. 000838450 77608 $$iPrint version: $$z1137393467$$z9781137393463$$w(OCoLC)1013953462 000838450 852__ $$bebk 000838450 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-39347-0$$zOnline Access$$91397441.1 000838450 909CO $$ooai:library.usi.edu:838450$$pGLOBAL_SET 000838450 980__ $$aEBOOK 000838450 980__ $$aBIB 000838450 982__ $$aEbook 000838450 983__ $$aOnline 000838450 994__ $$a92$$bISE