000838540 000__ 04842cam\a2200505Ki\4500 000838540 001__ 838540 000838540 005__ 20230306144547.0 000838540 006__ m\\\\\o\\d\\\\\\\\ 000838540 007__ cr\un\nnnunnun 000838540 008__ 180412s2018\\\\enk\\\\\ob\\\\001\0\eng\d 000838540 019__ $$a1031339505$$a1031361252$$a1037949499 000838540 020__ $$a9781137496423$$q(electronic book) 000838540 020__ $$a1137496428$$q(electronic book) 000838540 020__ $$z9781137496416 000838540 020__ $$z113749641X 000838540 035__ $$aSP(OCoLC)on1031090486 000838540 035__ $$aSP(OCoLC)1031090486$$z(OCoLC)1031339505$$z(OCoLC)1031361252$$z(OCoLC)1037949499 000838540 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dYDX$$dEBLCP$$dAZU$$dOCLCF$$dUOP$$dUAB$$dOCLCQ 000838540 049__ $$aISEA 000838540 050_4 $$aPN1996 000838540 08204 $$a808.23$$223 000838540 1001_ $$aSelimovic, Inela,$$eauthor. 000838540 24510 $$aAffective Moments in the Films of Martel, Carri, and Puenzo /$$cInela Selimović. 000838540 264_1 $$aLondon :$$bPalgrave Macmillan,$$c2018. 000838540 300__ $$a1 online resource. 000838540 336__ $$atext$$btxt$$2rdacontent 000838540 337__ $$acomputer$$bc$$2rdamedia 000838540 338__ $$aonline resource$$bcr$$2rdacarrier 000838540 504__ $$aIncludes bibliographical references and index. 000838540 5050_ $$aIntro; Acknowledgements; Contents; Chapter 1: Introduction; Cinematic Foremothers in Argentina; Engaging Affect with Gendered Intimacies; An Affective Trilogy: Martel, Carri, and Puenzo; Bibliography; Chapter 2: Minors and Homebound Violence; Retributive Affects in Albertina Carri's La rabia (2008); The Politics of Face: Seeing Voices of Terror; Spaces in Mutation: Social Frailty and Interconnectedness; Inenarrable Episodes: Claustrophobia, Abandonment, or Autonomy?; Affective Otherness in Lucrecia Martel's La ciénaga (2001); Isabel's Mobility: Hushed Eyes, Itinerant Presence 000838540 5058_ $$aThe Compositeness of MotherhoodLucía Puenzo's El niño pez (2009): Fluid Intimacies, Affective Dwelling; The Traces of Film Noir; Displaced Adolescence: Incarcerated Bodies, Mobilized Selfhoods?; Bibliography; Chapter 3: Remediations and Affect; The Hypermediacy Appeal in Albertina Carri's Los rubios (2003); Remedial Interpositions and Glimpses of Intellectual Personhood; Reengaging Los rubios through Affective Dissent; Muted Gestures, Screaming Affects: Lucrecia Martel's La mujer sin cabeza (2008); On a Fragile Inter-Being: Accidental Voices or Voiced Hierarchies? 000838540 5058_ $$aA Cinematic Narration of the Dead: Remediating the Ethos of State TerrorResisting Cinematic "Cultures of Rescue"; Ghostly Pasts and Contested Silence in Lucía Puenzo's Wakolda: El médico alemán (2013); The Screaming Silence; Aesthetic Returns; Bibliography; Chapter 4: Bold Boredoms, Libidinous Affects; Compulsory Boredom and Cerulean Desires in Lucía Puenzo's XXY (2007); Against Ontological Redundancy: Despondency and the Beach; Landscapes of Shifting Moods and Desires; Albertina Carri's Géminis (2005): Leisurely Boredom, Incestuous Discontent; Screening Incest, Echoing Social Stagnation 000838540 5058_ $$aToward Boredom and Its Aftershocks: Revisiting Affects of Ennui?Interpersonal Distrust, Divine Hopes; Lucrecia Martel's La niña santa (2004): On Waiting, Monotony, and Agentic Kinesthesis; The Affect of Touch; Public Intimacy and Disaffection: Boredom as Sustenance?; Bibliography; Chapter 5: Conclusion; Bibliography; Appendix: Filmographies; Albertina Carri (b. 1973); Lucía Puenzo (b. 1976); Lucrecia Martel (b. 1966); Bibliography; Index 000838540 506__ $$aAccess limited to authorized users. 000838540 520__ $$aThis book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimović argues, result in “affective moments” that relate to the films’ core arguments. They also signal these filmmakers’ novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced—but reticent—affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers’ diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women’s films. 000838540 588__ $$aOnline resource; title from PDF title page (viewed April 16, 2018). 000838540 60010 $$aMartel, Lucrecia,$$d1966-$$xCriticism and interpretation. 000838540 60010 $$aPuenzo, Lucía$$xCriticism and interpretation. 000838540 60010 $$aCarri, Albertina,$$d1973-$$xCriticism and interpretation. 000838540 650_0 $$aMotion picture authorship$$xCriticism and interpretation. 000838540 77608 $$iPrint version: $$z113749641X$$z9781137496416$$w(OCoLC)1004162752 000838540 852__ $$bebk 000838540 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-49642-3$$zOnline Access$$91397441.1 000838540 909CO $$ooai:library.usi.edu:838540$$pGLOBAL_SET 000838540 980__ $$aEBOOK 000838540 980__ $$aBIB 000838540 982__ $$aEbook 000838540 983__ $$aOnline 000838540 994__ $$a92$$bISE