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Table of Contents
Intro; Acknowledgements; Contents; List of Abbreviations; Chapter 1: Introduction: 'La littérature ruminante'; Fictional Characters as Original Creations; Fictional Characters and Literary Property; Reappearing Characters, Originality, and Literary Property; Part I: Originality and the Reappearance of Characters; Chapter 2: 'Le revenant littéraire': Balzac and the Reappearance of Characters as a Strategy of Re-appropriation; 'Le procédé ruminatoire': Criticism and 'le retour de personnages'; Criticism and Stage Adaptations; Stage Adaptations and the Law; Balzac and Stage Adaptations
The Reappearance of Characters as a Strategy of Re-appropriationBalzac at the Scene of the Crime: Vautrin; Chapter 3: 'Le revenant héréditaire': The Reappearance of Characters in Les Rougon-Macquart; Le Docteur Pascal, a 'Sequel'; Zola, the Anxiety of Influence, and the Reappearance of Characters; Prosper Lucas, Heredity, and Innateness; The Reappearance of Characters, Heredity, and the Family Tree; Zola and Innateness; Le Docteur Pascal and 'la lutte des deux écrivains ennemis'; Part II: Silent Partnerships
Chapter 4: The Poetics of Forgery in Charles Rabou's Continuation of Balzac's Le Député d'ArcisResurrecting Characters or 'Que la dernière incarnation de Vautrin n'était pas la dernière'; Rabou and the Reappearance of Characters; Unauthorised Appropriation, False Paternity, and Counterfeiting; Chapter 5: 'Tous pour un, un pour tous': Alexandre Dumas, Auguste Maquet, and the Musketeers Trilogy; Dumas and Maquet; Nineteenth-Century Perceptions of Collaborative Authorship; 'Tous pour un, un pour tous': The Dynamics of Friendship in Les Trois Mousquetaires
Friends and Employers in Vingt ans aprèsUnacknowledged Heroes in Le Vicomte de Bragelonne; Chapter 6: 'Le collaborateur fantomatique': Zola, William Busnach, and the Stage Adaptations of Les Rougon-Macquart; 'Author, Author…'; Naturalism and Adaptation; Zola, Busnach, and Literary Collaboration; 'Théâtre anti-réaliste': Naturalism and Melodrama; Germinal on Stage; Chapter 7: Concluding Reflections; Appendix A: List of the Stage Adaptations of Balzac's Works during His Lifetime; Appendix B: List of the Changes in the Description of the Heredity of the Rougon-Macquart; Bibliography; Index
The Reappearance of Characters as a Strategy of Re-appropriationBalzac at the Scene of the Crime: Vautrin; Chapter 3: 'Le revenant héréditaire': The Reappearance of Characters in Les Rougon-Macquart; Le Docteur Pascal, a 'Sequel'; Zola, the Anxiety of Influence, and the Reappearance of Characters; Prosper Lucas, Heredity, and Innateness; The Reappearance of Characters, Heredity, and the Family Tree; Zola and Innateness; Le Docteur Pascal and 'la lutte des deux écrivains ennemis'; Part II: Silent Partnerships
Chapter 4: The Poetics of Forgery in Charles Rabou's Continuation of Balzac's Le Député d'ArcisResurrecting Characters or 'Que la dernière incarnation de Vautrin n'était pas la dernière'; Rabou and the Reappearance of Characters; Unauthorised Appropriation, False Paternity, and Counterfeiting; Chapter 5: 'Tous pour un, un pour tous': Alexandre Dumas, Auguste Maquet, and the Musketeers Trilogy; Dumas and Maquet; Nineteenth-Century Perceptions of Collaborative Authorship; 'Tous pour un, un pour tous': The Dynamics of Friendship in Les Trois Mousquetaires
Friends and Employers in Vingt ans aprèsUnacknowledged Heroes in Le Vicomte de Bragelonne; Chapter 6: 'Le collaborateur fantomatique': Zola, William Busnach, and the Stage Adaptations of Les Rougon-Macquart; 'Author, Author…'; Naturalism and Adaptation; Zola, Busnach, and Literary Collaboration; 'Théâtre anti-réaliste': Naturalism and Melodrama; Germinal on Stage; Chapter 7: Concluding Reflections; Appendix A: List of the Stage Adaptations of Balzac's Works during His Lifetime; Appendix B: List of the Changes in the Description of the Heredity of the Rougon-Macquart; Bibliography; Index