000838889 000__ 02987cam\a2200469Mi\4500 000838889 001__ 838889 000838889 005__ 20230306144700.0 000838889 006__ m\\\\\o\\d\\\\\\\\ 000838889 007__ cr\un\nnnunnun 000838889 008__ 180411s2018\\\\gw\a\\\\o\\\\\000\0\eng\d 000838889 019__ $$a1031905685$$a1031948518 000838889 020__ $$a9783319757292 000838889 020__ $$a3319757296 000838889 020__ $$z3319757288 000838889 020__ $$z9783319757285 000838889 0247_ $$a10.1007/978-3-319-75729-2$$2doi 000838889 035__ $$aSP(OCoLC)on1034540512 000838889 035__ $$aSP(OCoLC)1034540512$$z(OCoLC)1031905685$$z(OCoLC)1031948518 000838889 040__ $$aAZU$$beng$$epn$$cAZU$$dOCLCO$$dYDX$$dOCLCQ$$dOCLCO$$dOCLCF 000838889 049__ $$aISEA 000838889 050_4 $$aDA1-DA995 000838889 1001_ $$aWilliams, Georgina,$$eauthor. 000838889 24510 $$aPolitics and Aesthetics of the Female Form, 1908-1918 /$$cby Georgina Williams. 000838889 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2018. 000838889 300__ $$a1 online resource (xi, 189 pages) :$$billustrations 000838889 336__ $$atext$$btxt$$2rdacontent 000838889 337__ $$acomputer$$bc$$2rdamedia 000838889 338__ $$aonline resource$$bcr$$2rdacarrier 000838889 347__ $$atext file$$bPDF$$2rda 000838889 5050_ $$a1. Introduction: Women in the Frame -- 2. The Reshaping of Society and the Rise of the Avant-Gardes -- 3. Inside and Outside the Frame: The Female Figure as Subject and Artist -- 4. The Politics of Aesthetics and the Woman Question -- 5. From Presence to Absence: Exploiting Female Sexuality in Visual Culture -- 6. A Visual Genealogy: Tracing the Threads as Nodes Within a Network -- 7. Women in the Frame: To Be Concluded -- Index. 000838889 506__ $$aAccess limited to authorized users. 000838889 520__ $$aThis book examines the pictorial representation of women in Great Britain both before and during the First World War. It focuses in particular on imagery related to suffrage movements, recruitment campaigns connected to the war, advertising, and Modernist art movements including Vorticism. This investigation not only considers the image as a whole, but also assesses tropes and constructs as objects contained within, both literal and metaphorical. In this way visual genealogical threads including the female figure as an ideal and William Hogarth's 'line of beauty' are explored, and their legacies assessed and followed through into the twenty-first century. Georgina Williams contributes to debates surrounding the deliberate and inadvertent dismissal of women's roles throughout history, through literature and imagery. This book also considers how absence of a pictorial manifestation of the female form in visual culture can be as important as her presence. 000838889 650_0 $$aHistory. 000838889 650_0 $$aCivilization$$xHistory. 000838889 650_0 $$aSocial history. 000838889 651_0 $$aGreat Britain$$xHistory. 000838889 651_0 $$aEurope$$xHistory$$y1492- 000838889 77608 $$iPrint version: $$z9783319757285 000838889 852__ $$bebk 000838889 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-75729-2$$zOnline Access$$91397441.1 000838889 909CO $$ooai:library.usi.edu:838889$$pGLOBAL_SET 000838889 980__ $$aEBOOK 000838889 980__ $$aBIB 000838889 982__ $$aEbook 000838889 983__ $$aOnline 000838889 994__ $$a92$$bISE