000839059 000__ 03091cam\a2200493Mi\4500 000839059 001__ 839059 000839059 005__ 20230306144709.0 000839059 006__ m\\\\\o\\d\\\\\\\\ 000839059 007__ cr\un\nnnunnun 000839059 008__ 180409s2018\\\\gw\a\\\\o\\\\\000\0\eng\d 000839059 019__ $$a1031448012$$a1031676336 000839059 020__ $$a9783319710174 000839059 020__ $$a3319710176 000839059 020__ $$z3319710168 000839059 020__ $$z9783319710167 000839059 0247_ $$a10.1007/978-3-319-71017-4$$2doi 000839059 035__ $$aSP(OCoLC)on1034555081 000839059 035__ $$aSP(OCoLC)1034555081$$z(OCoLC)1031448012$$z(OCoLC)1031676336 000839059 040__ $$aAZU$$beng$$epn$$cAZU$$dOCLCO$$dYDX$$dDKDLA$$dOCLCF$$dOCLCQ 000839059 049__ $$aISEA 000839059 050_4 $$aPN715-PN749 000839059 08204 $$a809$$223 000839059 1001_ $$aPartner, Jane,$$eauthor. 000839059 24510 $$aPoetry and Vision in Early Modern England /$$cby Jane Partner. 000839059 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint :$$bPalgrave Macmillan,$$c2018. 000839059 300__ $$a1 online resource (xvi, 334 pages) :$$billustrations. 000839059 336__ $$atext$$btxt$$2rdacontent 000839059 337__ $$acomputer$$bc$$2rdamedia 000839059 338__ $$aonline resource$$bcr$$2rdacarrier 000839059 347__ $$atext file$$bPDF$$2rda 000839059 4901_ $$aEarly Modern Literature in History 000839059 5050_ $$a1. Introduction -- 2. Margaret Cavendish, Vision and Fancy -- 3. The 'Infant-Ey' in the Devotional Writing of Thomas Traherne -- 4. Vision, Geometry and Truth in the Poetry of Andrew Marvell -- 5. The 'Advice to a Painter' Poems and the Politics of Visual Representation -- 6. Vision in Milton's Epic Poetry -- 7. Conclusion. 000839059 506__ $$aAccess limited to authorized users. 000839059 520__ $$aThis book reveals the ways in which seventeenth-century poets used models of vision taken from philosophy, theology, scientific optics, political polemic and the visual arts to scrutinize the nature of individual perceptions and to examine poetry's own relation to truth. Drawing on archival research, Poetry and Vision in Early Modern England brings together an innovative selection of texts and images to construct a new interdisciplinary context for interpreting the poetry of Cavendish, Traherne, Marvell and Milton. Each chapter presents a reappraisal of vision in the work of one of these authors, and these case studies also combine to offer a broader consideration of the ways that conceptions of seeing were used in poetry to explore the relations between the 'inward' life of the viewer and the 'outward' reality that lies beyond; terms that are shown to have been closely linked, through ideas about sight, with the emergence of the fundamental modern categories of the 'subjective' and 'objective'. This book will be of interest to literary scholars, art historians and historians of science. 000839059 650_0 $$aLiterature. 000839059 650_0 $$aLiterature$$xPhilosophy. 000839059 650_0 $$aLiterature, Modern. 000839059 650_0 $$aBritish literature. 000839059 77608 $$iPrint version: $$z9783319710167 000839059 830_0 $$aEarly modern literature in history. 000839059 852__ $$bebk 000839059 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-71017-4$$zOnline Access$$91397441.1 000839059 909CO $$ooai:library.usi.edu:839059$$pGLOBAL_SET 000839059 980__ $$aEBOOK 000839059 980__ $$aBIB 000839059 982__ $$aEbook 000839059 983__ $$aOnline 000839059 994__ $$a92$$bISE