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000839105 019__ $$a1035367791
000839105 020__ $$a9781137570109$$q(electronic book)
000839105 020__ $$a1137570105$$q(electronic book)
000839105 020__ $$z9781137570093
000839105 020__ $$z1137570091
000839105 035__ $$aSP(OCoLC)on1034724200
000839105 035__ $$aSP(OCoLC)1034724200$$z(OCoLC)1035367791
000839105 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dYDX$$dFIE$$dUAB$$dOCLCF$$dOCLCQ
000839105 049__ $$aISEA
000839105 050_4 $$aPN56.W3
000839105 08204 $$a809/.93358$$223
000839105 1001_ $$aWoodward, Rachel,$$eauthor.
000839105 24510 $$aBringing War to Book :$$bWriting and Producing the Military Memoir /$$cRachel Woodward, K. Neil Jenkings.
000839105 264_1 $$a[Place of publication not identified] :$$bSpringer Science and Business Media :$$bPalgrave Macmillan,$$c2018.
000839105 300__ $$a1 online resource.
000839105 336__ $$atext$$btxt$$2rdacontent
000839105 337__ $$acomputer$$bc$$2rdamedia
000839105 338__ $$aonline resource$$bcr$$2rdacarrier
000839105 5050_ $$aIntro; Acknowledgements; Contents; Authors' Note; 1: What Is a Military Memoir?; Military Memoirs and the Facts and Experiences of War; The Diversity of the Genre; Investigating the Writing and Production of the Military Memoir; 2: What Do Military Memoirs Do?; Military Memoirs and the Utility of the Genre for Studying War; Military Memoirs and Civilian Readerships; Military Memoirs: A Vector of Militarisation?; 3: Why Are Military Memoirs Written?; 'I owed history my honesty'; 'I thought there was a real story to be told'; 'Seemed like a good idea to fill my time'
000839105 5058_ $$a'It was never ever a money thing''The second it was on paper it was gone'; 'A soldier's point of view'; 'It's very accurate and it's very honest'; 4: Who Are Military Memoirs Written For?; Authors' Accounts of Their Initial Intended Readers; Dedications and Paratexts, Familiar and Familial Readerships; Military Readerships; Civilian Readers and Constructing a Civilian Readership; Military Memoirs, Testimonio and Communicative Purpose; 5: What Is Included and Excluded?; Narrative Structure and the Practicalities of Inclusion and Exclusion; Self-Censorship; External and Official Censorship
000839105 5058_ $$aConcluding Thoughts6: What Materials and Resources Are Used?; Material Resources for Writing; Diaries; Letters; Photographs; Official Military Sources; Information Published in the Public Domain; Other Resources; Memory Work; Military Literacy; Reading Military Books; Military Literacy and Writing; 7: Who Is Involved in Writing and Production?; Context and Method for Understanding Collaboration; Collaboration and Recognition in the Published Text; Forms of Collaborative Practice in Memoir-­Writing and Publication; The Role of Others in the Impetus of Memoir Production
000839105 5058_ $$aWriting, Researching, RememberingReaders and Editors; Finding an Agent and/or Publisher; The Input of Editors and Publishers; Military Memoirs as Collaborative Texts; 8: Why Do Military Memoirs Look Like They Do?; Book Covers and Paratext; The Paratextual Features of the Covers of Military Memoirs; Title; Author Name; Cover Design: Images and Other Features; Paratext as a Whole; Covers and Militarising the Reading Public; 9: Conclusion: Bringing War to Book; Time, Place, Specificity and Universality; Experience, Fact and Fiction; Militarisation and Military Memoirs; Index
000839105 506__ $$aAccess limited to authorized users.
000839105 520__ $$aThis book explores how military memoirs come to be written and published. Looking at the journeys through which soldiers and other military personnel become writers, the authors draw on over 250 military memoirs published since 1980 about service with the British armed forces, and on interviews with published military memoirists who talk in detail about the writing and production of their books. A range of themes are explored including: the nature of the military memoir; motivations for writing; authors’ reflections on their readerships; inclusions and exclusions within the text; the memories and materials that authors draw on;the collaborations that make the production and publication of military memoirs possible; and the issues around the design of military memoirs' distinctive covers. Written by two leading commentators on the sociology of the military, Bringing War to Book offers a new and original argument about the representations of war and the military experience as a process of social production. The book will be of interest to students and scholars across a range of disciplines including sociology, history, and cultural studies.--$$cProvided by publisher.
000839105 588__ $$aOnline resource; title from PDF title page (viewed  May 8, 2018).
000839105 650_0 $$aSoldiers' writings$$xIn literature.
000839105 650_0 $$aWar in literature.
000839105 7001_ $$aJenkings, K. Neil,$$eauthor.
000839105 77608 $$iPrint version: $$z1137570091$$z9781137570093$$w(OCoLC)1020614000
000839105 852__ $$bebk
000839105 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-57010-9$$zOnline Access$$91397441.1
000839105 909CO $$ooai:library.usi.edu:839105$$pGLOBAL_SET
000839105 980__ $$aEBOOK
000839105 980__ $$aBIB
000839105 982__ $$aEbook
000839105 983__ $$aOnline
000839105 994__ $$a92$$bISE