000839461 000__ 04896cam\a2200541Ii\4500 000839461 001__ 839461 000839461 005__ 20230306144649.0 000839461 006__ m\\\\\o\\d\\\\\\\\ 000839461 007__ cr\un\nnnunnun 000839461 008__ 180529s2018\\\\enk\\\\\o\\\\\000\0\eng\d 000839461 019__ $$a1038057735$$a1040652188 000839461 020__ $$a9781137352248$$q(electronic book) 000839461 020__ $$a1137352248$$q(electronic book) 000839461 020__ $$z9781137352231 000839461 020__ $$z113735223X 000839461 0247_ $$a10.1057/978-1-137-35224-8$$2doi 000839461 035__ $$aSP(OCoLC)on1037945996 000839461 035__ $$aSP(OCoLC)1037945996$$z(OCoLC)1038057735$$z(OCoLC)1040652188 000839461 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dYDX$$dAZU$$dCOO$$dUAB$$dOCLCF 000839461 049__ $$aISEA 000839461 050_4 $$aPN1995.9.M27 000839461 08204 $$a791.436543$$223 000839461 1001_ $$aGallafent, Edward,$$eauthor. 000839461 24510 $$aAdultery and the female star /$$cEdward Gallafent. 000839461 264_1 $$aLondon :$$bPalgrave Macmillan,$$c2018. 000839461 300__ $$a1 online resource. 000839461 336__ $$atext$$btxt$$2rdacontent 000839461 337__ $$acomputer$$bc$$2rdamedia 000839461 338__ $$aonline resource$$bcr$$2rdacarrier 000839461 347__ $$atext file$$bPDF$$2rda 000839461 4901_ $$aPalgrave close readings in film and television 000839461 5050_ $$aIntro; Acknowledgements; Contents; List of Figures; Chapter 1 Introduction; Background; How Do We Define Adultery?; Critical Approaches; Adultery and Absence; Husbands and Wives; Adultery and Place; Adaptation and Censorship; Roads Not Taken: Other Stars, and Star Studies; The Corpus; Chapter 2 Bette Davis: 1937 to 1943-Motherhood; Introducing Davis: The Bad Sister; That Certain Woman; Lloyd; Jack; Jackie; The Penetrable Home; Intervening Films; The Old Maid; Aunt Charlotte; Interiors and Exteriors; All This, and Heaven Too; Locations; The Letter; The Great Lie; Intervening Films 000839461 5058_ $$aNow, VoyagerOld Acquaintance; Conclusion; Adaptation; Adultery and Marriage; Chapter 3 Joan Fontaine: 1939 to 1950-Devotion; The Women; Rebecca; The Structure of Rebecca; Joan's Story-Three Sequences; Intervening Films; The Constant Nymph; Goulding's Film; The Child-Wife and the Childish Husband; Lewis; Jane Eyre; Intervening Films; Letter from an Unknown Woman; The Schoolgirl; The Mistress; The Mother; The Scene of Adultery; Expiation; Intervening Romances; Born to Be Bad; Portraits and Their Value; Punishment; September Affair; A World of Tourism; Conclusion 000839461 5058_ $$aChapter 4 Kim Novak: 1954 to 1964-The StrangerPushover; Picnic and The Man with the Golden Arm; The Eddy Duchin Story and Jeanne Eagels; Pal Joey; Vertigo; Scottie and Midge; Elster's Girl; Bell, Book and Candle; Three Early 1960s Films; Middle of the Night; Strangers When We Meet; Kiss Me, Stupid; 4 Pm; Evening; Night; Morning; Conclusion; Chapter 5 Meryl Streep: 1979 to 1985-The Present and the Past; The Seduction of Joe Tynan; The Affair; The Benton Films; The French Lieutenant's Woman; The Adaptation; The Past; The Present; Sophie's Choice; Silkwood; Falling in Love; Plenty; Out of Africa 000839461 5058_ $$aConclusionChapter 6 Conclusion; Motherhood and Children; Place; Death; Four Endings; Bibliography; Index 000839461 506__ $$aAccess limited to authorized users. 000839461 520__ $$aThis book provides an in-depth study of Bette Davis, Joan Fontaine, Kim Novak and Meryl Streep, and the treatment of adultery in their films. It avoids the near-impossible challenge of writing about the sheer volume of adultery in film by focusing on specific periods in the work of these four major Hollywood actresses who have each performed roles that share some features but also contain points of difference. The periods discussed cover Davis’s work in 1937 to 1943, Fontaine’s work between 1939 and 1950, Novak in 1954 to 1964, and finally Streep’s work between 1979 and 1985. Closely analysing both established classics and lesser known films, Edward Gallafent explores the work of a broad range of directors including Alfred Hitchcock, Max Ophüls, Sydney Pollack and Billy Wilder. Adultery and the Female Star explores topics such as motherhood, the significance of place, censorship, and adaptation, and is the first book of its kind to take on the topic of adultery in relation to these four actresses. It ultimately argues that our understanding of the adultery narrative is tightly bound up with our understanding of the Hollywood stars that depict it. 000839461 588__ $$aOnline resource; title from PDF title page (viewed May 30, 2018). 000839461 650_0 $$aMan-woman relationships in motion pictures. 000839461 650_0 $$aAdultery. 000839461 650_0 $$aMotion pictures$$xMoral and ethical aspects. 000839461 650_0 $$aLeading ladies (Actresses) 000839461 77608 $$iPrint version: $$z113735223X$$z9781137352231$$w(OCoLC)1029892759 000839461 830_0 $$aPalgrave close readings in film and television. 000839461 852__ $$bebk 000839461 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-35224-8$$zOnline Access$$91397441.1 000839461 909CO $$ooai:library.usi.edu:839461$$pGLOBAL_SET 000839461 980__ $$aEBOOK 000839461 980__ $$aBIB 000839461 982__ $$aEbook 000839461 983__ $$aOnline 000839461 994__ $$a92$$bISE