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000839648 019__ $$a1039045015
000839648 020__ $$a9781137595669$$q(electronic book)
000839648 020__ $$a1137595663$$q(electronic book)
000839648 020__ $$z1137595655
000839648 020__ $$z9781137595652
000839648 035__ $$aSP(OCoLC)on1038494796
000839648 035__ $$aSP(OCoLC)1038494796$$z(OCoLC)1039045015
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000839648 049__ $$aISEA
000839648 050_4 $$aPN1993.5.U6
000839648 08204 $$a791.430973$$223
000839648 1001_ $$aGrist, Leighton.
000839648 24510 $$aFascism and millennial American cinema /$$cLeighton Grist.
000839648 260__ $$aLondon :$$bPalgrave Macmillan,$$c2018.
000839648 300__ $$a1 online resource.
000839648 336__ $$atext$$btxt$$2rdacontent
000839648 337__ $$acomputer$$bc$$2rdamedia
000839648 338__ $$aonline resource$$bcr$$2rdacarrier
000839648 504__ $$aIncludes bibliographical references and index.
000839648 5050_ $$aIntro; Acknowledgements; Contents; Chapter 1: Introduction: Fascism, and American Cinema; I; II; III; IV; Bibliography; Chapter 2: Skinheads, Racism, (Neo-)Nazism and the Family; I; II; III; IV; V; VI; VII; Bibliography; Chapter 3: Patriots and Militias, Fascism and the State; I; II; III; IV; V; VI; VII; Bibliography; Chapter 4: A (Fascist) New World Order/A (Fascistically Contested) New World Order; I; II; III; IV; V; VI; VII; Bibliography; Chapter 5: The Übermensch, its Avatars and the Ordinary; I; II; III; IV; VI; VII; Bibliography; Chapter 6: Conclusion: The World Turns; I; II; III; IV.
000839648 506__ $$aAccess limited to authorized users.
000839648 520__ $$aThis book examines a spate of American films released around the turn of the millennium that differently address the actuality or possibility of domestic fascism within the USA. The films discussed span a diversity of forms, genres and production practices, and encompass low- and medium-budget studio and independent releases (such as American History X, Stir of Echoes and The Believer), star and/or auteur vehicles (such as The Siege, Fight Club and American Beauty), and high-budget, high-concept science-fiction films and franchises (such as Starship Troopers, Minority Report, the Matrix and X-Men trilogies and the Star Wars prequels). Central to the book is the detailed analysis of the films, which is contextualized historically in relation to a period that saw the significant rise of the far Right. The book concordantly affords a wider insight into fascism and its various manifestations and how such have been, and continue to be, registered within American cinema. .
000839648 588__ $$aOnline resource; title from PDF title page (viewed  June 11, 2018).
000839648 650_0 $$aMotion pictures$$zUnited States$$xHistory.
000839648 650_0 $$aFascism and motion pictures$$zUnited States.
000839648 77608 $$iPrint version:$$z1137595655$$z9781137595652$$w(OCoLC)1023524337
000839648 852__ $$bebk
000839648 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1057/978-1-137-59566-9$$zOnline Access$$91397441.1
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000839648 980__ $$aBIB
000839648 982__ $$aEbook
000839648 983__ $$aOnline
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