000839686 000__ 01719cam\a2200433\i\4500 000839686 001__ 839686 000839686 005__ 20210515151427.0 000839686 006__ m\\\\\o\\d\\\\\\\\ 000839686 007__ cr\un\nnnunnun 000839686 008__ 180706s2018\\\\nyu\\\\\ob\\\\000\0\eng\d 000839686 020__ $$a9780190678456$$q(electronic book0) 000839686 035__ $$a(StDuBDS)EDZ0001906124 000839686 035__ $$a839686 000839686 040__ $$aStDuBDS$$beng$$erda$$epn$$cStDuBDS 000839686 050_4 $$aNX451.5.B3$$bO94 2018eb 000839686 08204 $$a700.9032$$223 000839686 24504 $$aThe Oxford handbook of the Baroque /$$cedited by John D. Lyons. 000839686 24630 $$aBaroque 000839686 264_1 $$aNew York :$$bOxford University Press,$$c2018. 000839686 300__ $$a1 online resource. 000839686 336__ $$atext$$2rdacontent 000839686 337__ $$acomputer$$2rdamedia 000839686 338__ $$aonline resource$$2rdacarrier 000839686 4901_ $$aOxford handbooks 000839686 504__ $$aIncludes bibliographical references. 000839686 50500 $$tThe End of Witch Hunting /$$rErik Midelfort --$$tBaroque Opera /$$rDowning A. Thomas --$$tThe Philosopher's Baroque: Benjamin, Lacan, Deleuze /$$rWilliam Egginton. 000839686 506__ $$aAccess limited to authorized users. 000839686 588__ $$aDescription based on online resource; title from home page (viewed on 6 July 2018). 000839686 650_0 $$aArts, Baroque. 000839686 650_0 $$aMusic$$y17th century$$xHistory and criticism. 000839686 650_0 $$aMusic$$y18th century$$xHistory and criticism. 000839686 651_0 $$aEurope$$xCivilization$$y17th century. 000839686 651_0 $$aEurope$$xCivilization$$y18th century. 000839686 7001_ $$aLyons, John D.,$$d1946-$$eeditor. 000839686 77608 $$iPrint version:$$z9780190678449 000839686 830_0 $$aOxford handbooks. 000839686 85280 $$bebk$$hOxford Handbooks Online 000839686 85640 $$3Oxford handbooks online$$uhttps://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oxfordhb/9780190678449.001.0001$$zOnline Access 000839686 909CO $$ooai:library.usi.edu:839686$$pGLOBAL_SET 000839686 980__ $$aEBOOK 000839686 980__ $$aBIB 000839686 982__ $$aEbook 000839686 983__ $$aOnline