000839944 000__ 02770cam\a2200409\a\4500 000839944 001__ 839944 000839944 005__ 20210515151459.0 000839944 006__ m\\\\\o\\d\\\\\\\\ 000839944 007__ cr\cn\nnnunnun 000839944 008__ 100901s2011\\\\enk\\\\\ob\\\\001\0\eng\d 000839944 010__ $$z 2010037676 000839944 020__ $$z9780521118903 000839944 020__ $$z9780511989155$$q(electronic book) 000839944 035__ $$a(MiAaPQ)EBC647434 000839944 035__ $$a(Au-PeEL)EBL647434 000839944 035__ $$a(CaPaEBR)ebr10455721 000839944 035__ $$a(CaONFJC)MIL302076 000839944 035__ $$a(OCoLC)707067642 000839944 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000839944 050_4 $$aPQ653$$b.N45 2011 000839944 08204 $$a843/.8093578$$222 000839944 1001_ $$aNewark, Cormac,$$d1972- 000839944 24510 $$aOpera in the novel from Balzac to Proust$$h[electronic resource] /$$cCormac Newark. 000839944 260__ $$aCambridge [England] ;$$aNew York :$$bCambridge University Press,$$c2011. 000839944 300__ $$aix, 287 p. 000839944 4901_ $$aCambridge studies in opera 000839944 504__ $$aIncludes bibliograpical references and index. 000839944 5058_ $$aMachine generated contents note: Introduction; 1. Balzac, Meyerbeer and science; 2. 'Tout entier?': scenes from grand ope;ra in Dumas and Balzac; 3. The novel in opera: residues of reading in Flaubert; 4. Knowing what happens next: opera in Verne; 5. 'Vous qui faites l'endormie': the Phantom and the buried voices of the Paris Ope;ra; 6. Proust and the soire;e ... l'Ope;ra chez soi; Envoi; Bibliography. 000839944 506__ $$aAccess limited to authorized users. 000839944 520__ $$a"The turning point of Madame Bovary, which Flaubert memorably set at the opera, is only the most famous example of a surprisingly long tradition, one common to a range of French literary styles and sub-genres. In the first book-length study of that tradition to appear in English, Cormac Newark examines representations of operatic performance from Balzac's La Come;die humaine to Proust's À la recherche du temps perdu, by way of (among others) Dumas père's Le Comte de Monte-Cristo and Leroux's Le Fantôme de l'Ope;ra. Attentive to textual and musical detail alike in the works, the study also delves deep into their reception contexts. The result is a compelling cultural-historical account: of changing ways of making sense of operatic experience from the 1820s to the 1920s, and of a perennial writerly fascination with the recording of that experience"--$$cProvided by publisher. 000839944 650_0 $$aFrench fiction$$y19th century$$xHistory and criticism. 000839944 650_0 $$aFrench fiction$$y20th century$$xHistory and criticism. 000839944 650_0 $$aOpera in literature. 000839944 830_0 $$aCambridge studies in opera. 000839944 852__ $$bebk 000839944 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=647434$$zOnline Access 000839944 909CO $$ooai:library.usi.edu:839944$$pGLOBAL_SET 000839944 980__ $$aEBOOK 000839944 980__ $$aBIB 000839944 982__ $$aEbook 000839944 983__ $$aOnline