000840007 000__ 03008cam\a2200433\a\4500 000840007 001__ 840007 000840007 005__ 20210515151507.0 000840007 006__ m\\\\\o\\d\\\\\\\\ 000840007 007__ cr\cn\nnnunnun 000840007 008__ 101208s2011\\\\enk\\\\\ob\\\\001\0deng\d 000840007 010__ $$z 2010051875 000840007 020__ $$z9780521196567 000840007 020__ $$z9781139080026$$q(electronic book) 000840007 035__ $$a(MiAaPQ)EBC691885 000840007 035__ $$a(Au-PeEL)EBL691885 000840007 035__ $$a(CaPaEBR)ebr10470742 000840007 035__ $$a(CaONFJC)MIL311301 000840007 035__ $$a(OCoLC)727649215 000840007 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000840007 043__ $$ae-it--- 000840007 050_4 $$aPR3069.R6$$bC47 2011 000840007 08204 $$a822.3/3$$222 000840007 1001_ $$aChernaik, Warren L. 000840007 24514 $$aThe myth of Rome in Shakespeare and his contemporaries$$h[electronic resource] /$$cWarren Chernaik. 000840007 260__ $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c2011. 000840007 300__ $$aviii, 298 p. 000840007 504__ $$aIncludes bibliographical references and index. 000840007 5058_ $$aMachine generated contents note: 1. The Roman historians and the myth of Rome; 2. The wronged Lucretian and the early Republic; 3. Self-inflicted wounds; 4. 'Like a colossus': Julius Caesar; 5. Ben Jonson's Rome; 6. Oerflowing the measure: Antony and Cleopatra; 7. The city and the battlefield: Coriolanus; 8. Tyranny and empire; 9. Ancient Britons and Romans; Bibliography. 000840007 506__ $$aAccess limited to authorized users. 000840007 520__ $$a"When Cleopatra expresses a desire to die 'after the high Roman fashion', acting in accordance with 'what's brave, what's noble', Shakespeare is suggesting that there are certain values that are characteristically Roman. The use of the terms 'Rome' and 'Roman' in Julius Caesar, Antony and Cleopatra, or Jonson's Sejanus often carry the implication that most people fail to live up to this ideal of conduct, that very few Romans are worthy of the name. Chernaik demonstrates how, in these plays, Roman values are held up to critical scrutiny. The plays of Shakespeare, Jonson, Massinger and Chapman often present a much darker image of Rome, as exemplifying barbarism rather than civility. Through a comparative analysis of the Roman plays of Shakespeare and his contemporaries, and including detailed discussion of the classical historians Livy, Tacitus and Plutarch, this study examines the uses of Roman history - 'the myth of Rome' - in Shakespeare's age"--$$cProvided by publisher. 000840007 60010 $$aShakespeare, William,$$d1564-1616$$xCriticism and interpretation. 000840007 60010 $$aJonson, Ben,$$d1573?-1637$$xCriticism and interpretation. 000840007 60010 $$aMassinger, Philip,$$d1583-1640$$xCriticism and interpretation. 000840007 60010 $$aChapman, George,$$d1559?-1634$$xCriticism and interpretation. 000840007 650_0 $$aHistorical drama, English$$xHistory and criticism. 000840007 651_0 $$aRome$$xIn literature. 000840007 852__ $$bebk 000840007 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=691885$$zOnline Access 000840007 909CO $$ooai:library.usi.edu:840007$$pGLOBAL_SET 000840007 980__ $$aEBOOK 000840007 980__ $$aBIB 000840007 982__ $$aEbook 000840007 983__ $$aOnline