000840224 000__ 01392cam\a2200361\a\4500 000840224 001__ 840224 000840224 005__ 20210515151536.0 000840224 006__ m\\\\\o\\d\\\\\\\\ 000840224 007__ cr\cn\nnnunnun 000840224 008__ 110629s2011\\\\nyua\\\\ob\\\\001\0\eng\d 000840224 010__ $$z 2011027654 000840224 020__ $$z9781107005785 000840224 020__ $$z9781139157612$$q(electronic book) 000840224 035__ $$a(MiAaPQ)EBC807198 000840224 035__ $$a(Au-PeEL)EBL807198 000840224 035__ $$a(CaPaEBR)ebr10514104 000840224 035__ $$a(CaONFJC)MIL334249 000840224 035__ $$a(OCoLC)773040578 000840224 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000840224 050_4 $$aML410.M5$$bT39 2011 000840224 08204 $$a780.92$$223 000840224 1001_ $$aTaylor, Benedict,$$d1981- 000840224 24510 $$aMendelssohn, time and memory$$h[electronic resource] :$$bthe romantic conception of cyclic form /$$cBenedict Taylor. 000840224 260__ $$aNew York :$$bCambridge University Press,$$c2011. 000840224 300__ $$aix, 303 p. :$$bill. 000840224 504__ $$aIncludes bibliographical references and index. 000840224 506__ $$aAccess limited to authorized users. 000840224 60010 $$aMendelssohn-Bartholdy, Felix,$$d1809-1847$$xCriticism and interpretation. 000840224 650_0 $$aCyclic form (Music) 000840224 650_0 $$aInstrumental music$$y19th century$$xHistory and criticism. 000840224 852__ $$bebk 000840224 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=807198$$zOnline Access 000840224 909CO $$ooai:library.usi.edu:840224$$pGLOBAL_SET 000840224 980__ $$aEBOOK 000840224 980__ $$aBIB 000840224 982__ $$aEbook 000840224 983__ $$aOnline