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000840796 010__ $$z   99087737 
000840796 020__ $$z0231115164 (cloth : alk. paper)
000840796 020__ $$z0231115172 (paper : alk. paper)
000840796 020__ $$z9780231115179
000840796 020__ $$z9780231505468$$q(electronic book)
000840796 035__ $$a(MiAaPQ)EBC952901
000840796 035__ $$a(Au-PeEL)EBL952901
000840796 035__ $$a(CaPaEBR)ebr10595251
000840796 035__ $$a(CaONFJC)MIL683701
000840796 035__ $$a(OCoLC)51311736
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000840796 050_4 $$aPN1995.7$$b.L37 2000
000840796 08204 $$a791.43/09$$221
000840796 1001_ $$aLastra, James.
000840796 24510 $$aSound technology and the American cinema$$h[electronic resource] :$$bperception, representation, modernity /$$cJames Lastra.
000840796 260__ $$aNew York :$$bColumbia University Press,$$cc2000.
000840796 300__ $$ax, 270 p.
000840796 440_0 $$aFilm and culture
000840796 504__ $$aIncludes bibliographical references (p. [223]-263) and index.
000840796 506__ $$aAccess limited to authorized users.
000840796 650_0 $$aSound motion pictures$$xHistory.
000840796 650_0 $$aSound$$xRecording and reproducing$$xHistory.
000840796 852__ $$bebk
000840796 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=952901$$zOnline Access
000840796 909CO $$ooai:library.usi.edu:840796$$pGLOBAL_SET
000840796 980__ $$aEBOOK
000840796 980__ $$aBIB
000840796 982__ $$aEbook
000840796 983__ $$aOnline