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Table of Contents
Introduction
Adaptation as reception: how film historians can contribute to the "literature to film" debates
Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963
"Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe
The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past
"Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany
Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s
Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature
"Jamesian proportions": the Henry James film boom in the 1990s
Conclusion
A case for the "case study": the future of adaptation studies as a branch of transnational film history.
Adaptation as reception: how film historians can contribute to the "literature to film" debates
Post Cold War readings of the receptions of Anglo-American Hollywood. Adaptations in Cold War West Germany: 1950-1963
"Eine revolution des films": The third man (1949), the Cold War, and alternatives to nationalism and "coca-colonization" in Europe
The bridge on the River Kwai (1957) revisited: combat cinema, American culture and the German past
"Josef K von 1963": Orson Welles' "Americanized" version of the the trial and the changing functions of the "Kafkaesque" in Cold War West Germany
Postfeminist relations between "classic" texts and Hollywood film adaptations in the United States in the 1990s: Introduction. "Jane-mania": the Jane Austen film boom in the 1990s
Thelma and sense and Louise and sensibility: challenging dichotomies in women's history through film and literature
"Jamesian proportions": the Henry James film boom in the 1990s
Conclusion
A case for the "case study": the future of adaptation studies as a branch of transnational film history.