000842864 000__ 02780cam\a22004331i\4500
000842864 001__ 842864
000842864 005__ 20210515152311.0
000842864 006__ m\\\\\o\\d\\\\\\\\
000842864 007__ cr\\n\nnnunnun
000842864 008__ 180716s2018\\\\nyua\\\\obf\\\000\0\eng\d
000842864 020__ $$a9781559368902$$q(electronic book)
000842864 020__ $$a155936890X$$q(electronic book)
000842864 020__ $$z9781559365741
000842864 020__ $$z1559365749
000842864 035__ $$a(NhCcYBP)EBS1844154
000842864 040__ $$aNhCcYBP$$cNhCcYBP
000842864 08204 $$a822.33$$223
000842864 1001_ $$aEdelstein, Barry,$$eauthor.
000842864 24510 $$aThinking Shakespeare :$$ba working guide for actors, directors, students... and anyone else interested in the bard /$$cby Barry Edelstein.
000842864 250__ $$aRevised edition.
000842864 264_1 $$aNew York :$$bTheatre Communications Group,$$c2018.
000842864 300__ $$a1 online resource (xi, 468 pages) :$$billustrations.
000842864 336__ $$atext$$btxt$$2rdacontent
000842864 337__ $$acomputer$$bc$$2rdamedia
000842864 338__ $$aonline resource$$bcr$$2rdacarrier
000842864 500__ $$a"Thinking Shakespeare was originally published by Spark Publishing, 2007"--Verso t.p.
000842864 504__ $$aIncludes bibliographical references (pages 435-456).
000842864 5050_ $$aA thought at a time: why am I using this word now? -- What actors do: the basic techniques of acting -- That would be scanned: Scansion and the architecture of the verse line -- Acting is arguing: the art of using language to persuade -- The word against the word: antithesis, the indispensable tool -- Different voices: the changing height of Shakespearean language -- One line at a time: phrasing with the verse line -- Putting it together: the fundamentals in action: a review -- Sweet varied notes: the music of the language, and its rhythm, tempo, and pace -- Verbiage: the power of Shakespeare's verbs -- But how do you really feel? Irony, wit, humor, and emotion -- Suit the action to the world: thought, text, and stage business -- What the other guy is thinking: thinking the text in scenes -- More prosaic concerns: thinking Shakespeare's prose -- What's past is prologue: some conclusions -- Some resources: works worth keeping close at hand.
000842864 506__ $$aAccess limited to authorized users
000842864 533__ $$aElectronic reproduction.$$bIpswich, MA$$nAvailable via World Wide Web.
000842864 588__ $$aDescription based on print version record.
000842864 60010 $$aShakespeare, William,$$d1564-1616$$xDramatic production$$vHandbooks, manuals, etc.
000842864 650_0 $$aActing$$vHandbooks, manuals, etc.
000842864 650_0 $$aTheater$$xProduction and direction$$vHandbooks, manuals, etc.
000842864 7102_ $$aEBSCOhost
000842864 77608 $$iPrint version: $$z9781559365741$$z1559365749
000842864 852__ $$bebk
000842864 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1844154$$zOnline Access
000842864 909CO $$ooai:library.usi.edu:842864$$pGLOBAL_SET
000842864 980__ $$aEBOOK
000842864 980__ $$aBIB
000842864 982__ $$aEbook
000842864 983__ $$aOnline