Reconsidering the colonial archive
The mobilisation of Shona musical identity during colonial times
Reconsidering the colonial creation of Shona musical identity and Shona Mbiras
An attempt to link colonial and postcolonial narratives in the sound archive: Andrew Tracey's "Shona chord finder" and the Mbira country beyond borders
Lyrics and reinterpretations of Shona-Mbira recordings
Reconsidering the sound archive and postcolonial nationhood
The centralisation of great Zimbabwe and the multiple versions of chaminuka in the sound archive
Chimurenga music: Mbira musical culture and the subaltern versions of postcolonial nationhood
The digital return and revitalisation project of the Mbira sound archive in Zimbabwe
Digital return and repatriation of the sound archive in Zimbabwe
Revitalising the repertoire through Zimbabwean musicians
The digital return in the place of the recordings
Curricula transformation in the African academy through the sound archive.