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000843012 019__ $$a962006641$$a1001255679$$a1030679692
000843012 020__ $$a9780226002873$$q(electronic book)
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000843012 035__ $$a(OCoLC)ocn883632106
000843012 035__ $$a843012
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000843012 050_4 $$aND1489$$b.K36 2014eb
000843012 08204 $$a776$$223
000843012 1001_ $$aKane, Carolyn L.,$$eauthor.
000843012 24510 $$aChromatic algorithms :$$bsynthetic color, computer art, and aesthetics after code /$$cCarolyn L. Kane.
000843012 264_1 $$aChicago ;$$aLondon :$$bThe University of Chicago Press,$$c2014.
000843012 300__ $$a1 online resource (343 pages) :$$billustrations
000843012 336__ $$atext$$btxt$$2rdacontent
000843012 337__ $$acomputer$$bc$$2rdamedia
000843012 338__ $$aonline resource$$bcr$$2rdacarrier
000843012 504__ $$aIncludes bibliographical references and index.
000843012 5050_ $$aHow color became code -- Chromatic visions (400 B.C.-1969) -- Colors sacred and synthetic -- Classical and modern color: Plato through Goethe -- Industrial color: synthetics through day-glo psychedelics -- Synthetic color in video synthesis -- Disciplining color: encounters with number and code (1965-1984) -- Informatic color and aesthetic transformations in early computer art -- Collaborative computer art and experimental color systems -- From chromakey to the alpha channel -- "Transparent" screens for opaque ontology (1984-2007) -- Digital infrared as algorithmic lifeworld -- The photoshop cinema -- Postscript: a new dark age.
000843012 506__ $$aAccess limited to authorized users.
000843012 520__ $$aOverview: These days, we take for granted that our computer screens-and even our phones-will show us images in vibrant full color. Digital color is a fundamental part of how we use our devices, but we never give a thought to how it is produced or how it came about. Chromatic Algorithms reveals the fascinating history behind digital color, tracing it from the work of a few brilliant computer scientists and experimentally minded artists in the late 1960s and early '70s through to its appearance in commercial software in the early 1990s. Mixing philosophy of technology, aesthetics, and media analysis, Carolyn Kane shows how revolutionary the earliest computer-generated colors were-built with the massive postwar number-crunching machines, these first examples of "computer art" were so fantastic that artists and computer scientists regarded them as psychedelic, even revolutionary, harbingers of a better future for humans and machines. But, Kane shows, the explosive growth of personal computing and its accompanying need for off-the-shelf software led to standardization and the gradual closing of the experimental field in which computer artists had thrived. Even so, the gap between the bright, bold presence of color onscreen and the increasing abstraction of its underlying code continues to lure artists and designers from a wide range of fields, and Kane draws on their work to pose fascinating questions about the relationships among art, code, science, and media in the twenty-first century.
000843012 588__ $$aDescription based on print version record.
000843012 650_0 $$aColor.
000843012 650_0 $$aComputer art.
000843012 650_0 $$aArt and technology.
000843012 650_0 $$aAesthetics, Modern$$y20th century.
000843012 650_0 $$aAesthetics, Modern$$y21st century.
000843012 77608 $$iPrint version:$$aKane, Carolyn L.$$tChromatic algorithms.$$z9780226002736$$w(DLC)  2013033872$$w(OCoLC)857288076
000843012 852__ $$bcoll
000843012 85280 $$bebk$$hProQuest Ebook Central
000843012 85640 $$3ProQuest Ebook Central$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=3038591$$zOnline Access
000843012 909CO $$ooai:library.usi.edu:843012$$pGLOBAL_SET
000843012 980__ $$aEBOOK
000843012 980__ $$aBIB
000843012 982__ $$aEbook
000843012 983__ $$aOnline