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000843241 24500 $$aWe wanted a revolution :$$bblack radical women, 1965-85 : a sourcebook /$$cedited by Catherine Morris and Rujeko Hockley ; texts by Connie H. Choi, Carmen Hermo, Rujeko Hockley, Catherine Morris, Stephanie Weissberg.
000843241 24630 $$aBlack radical women, 1965-85 :$$ba sourcebook
000843241 264_1 $$aBrooklyn, NY :$$bBrooklyn Museum,$$c2017.
000843241 300__ $$a318 pages :$$billustrations, facsimiles ;$$c27 cm
000843241 336__ $$atext$$btxt$$2rdacontent
000843241 336__ $$astill image$$bsti$$2rdacontent
000843241 337__ $$aunmediated$$bn$$2rdamedia
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000843241 500__ $$aPublished on the occasion of an exhibition at the Brooklyn Museum, April 21-September 17, 2017.
000843241 500__ $$aThe artists represented in the exhibition include Emma Amos, Camille Billops, Kay Brown, Vivian E. Browne, Linda Goode Bryant, Beverly Buchanan, Carole Byard, Elizabeth Catlett, Barbara Chase-Riboud, Ayoka Chenzira, Christine Choy and Susan Robeson, Blondell Cummings, Julie Dash, Pat Davis, Jeff Donaldson, Maren Hassinger, Janet Henry, Virginia Jaramillo, Jae Jarrell, Wadsworth Jarrell, Lisa Jones, Loïs Mailou Jones, Barbara Jones-Hogu, Carolyn Lawrence, Samella Lewis, Dindga McCannon, Barbara McCullough, Ana Mendieta, Senga Nengudi, Lorraine O'Grady, Howardena Pindell, Faith Ringgold, Alva Rogers, Alison Saar, Betye Saar, Coreen Simpson, Lorna Simpson, Ming Smith, and Carrie Mae Weems.
000843241 500__ $$aThis "Sourcebook gathers selected writings in order to situate radical art-making within the broader sociopolitical context of the period. It highlights the artists' and writers' own voices, in primary sources and original documents pertaining to several significant historical events, activist artist groups, and key exhibitions."--Page 19.
000843241 504__ $$aIncludes bibliographical references (pages 314-316).
000843241 50500 $$tForward /$$rAnne Pasternak --$$tRevolutionary hope: landmark writings, 1965-85 /$$rCatherine Morris and Rujeko Hockley --$$tSpiral, the Black arts movement, and "Where we at" Black women artists /$$rConnie H. Choi --$$tWhy Spiral? (1966) /$$rJeanne Siegel --$$tAny day now: Black art and Black liberation (1969) /$$rLarry Neal --$$tAfricobra: African Commune of Bad Relevant Artists, 10 in search of a nation (1970) /$$rJeff Donaldson --$$t"Where we at" Black women artists (1972) /$$rKay Brown --$$tRace and women's liberation /$$rRujeko Hockley --$$tAn argument for Black women's liberation as a revolutionary force (1969) /$$rMary Ann Weathers --$$tWhat the Black woman thinks about women's lib (1971) /$$rToni Morrison --$$tIn search of our mothers' gardens: the creativity of Black women in the south (1974) /$$rAlice Walker --$$tBlack feminism: a new mandate (1974) /$$rMargaret Sloan --$$tA litany for survival (1978) /$$rAudre Lorde --$$tFaith Ringgold's radical activism /$$rCatherine Morris --$$tFor the Women's House: interview with Faith Ringgold (1972) /$$rMichele Wallace --$$tCollective artist actions in New York /$$rCarmen Hermo --$$tThe demands of Art Workers Coalition (1969) /$$rArt Workers' Coalition --$$tTo the viewing public for the 1970 Whitney Annual Exhibition (undated) /$$rWomen Artists in Revolution, Women's Ad Hoc Committee, and Women Students and Artists for Black Art Liberation --$$tLetter of withdrawal from Contemporary Black Artists in America, Whitney Museum of American Art, 1971 (1971) /$$rJohn Dowell, Sam Gilliam, Daniel Johnson, Joe Overstreet, Melvin Edwards, Richard Hunt, and William T. Williams --$$tLetter in defense of the Judson Three (1971) /$$rFlo Kennedy, Gerald Lefcourt, and Robert Projansky --$$tLetter of support for the Judson Three (1971) /$$rThe Committee to Defend the Judson Three --$$tColor scheming (1981) /$$rLucy R. Lippard --$$tJust above midtown gallery /$$rRujeko Hockley --$$tLetter to her parents (1967) /$$rLinda Goode Bryant --$$tCover artwork (undated) for Black Currant 1, no. 1 (May 1982) /$$rJanet Henry --$$tB Culture 1, no. 1 (1986) /$$rGreg Tate and Craig Dennis Street --$$tInterview with Linda Goode Bryant (1994) /$$rTony Whitfield --$$tSenga Nengudi's Freeway fets /$$rRujeko Hockley --$$tAnnouncement card for Freeway fets (1978) /$$rSenga Nengudi --$$tThe Combahee River Collective /$$rRujeko Hockley --$$g22$$tA Black feminist statement (1977) /$$rThe Combahee River Collective --$$tStruggling for diversity in heresies /$$rCatherine Morris --$$tLetters between Combahee River Collective and Heresies Lesbian Issue Collective in "Women's traditional arts: the politics of aesthetics," Heresies, issue 4 (1978) --$$tThird world women speak (1978) /$$rLowery Stokes Sims --$$tEditorial statement in "Third world women: the politics of being other," Heresies, issue 8 (1979) /$$rLula Mae Blocton, Yvonne Flowers, Valerie Harris, Zarina Hashmi, Virginia Jaramillo, Dawn Russell, and Naeemah Shabazz --$$tMlle Bourgeoise Noire goes to the new museum, in "The women's pages," Heresies, issue 14 (1982) /$$rLorraine O'Grady --$$tEditorial statement and Heresies Collective statement in "Racism is the issue," Heresies, issue 15 (1982) /$$rVivian E. Browne, Cynthia Carr, Michele Godwin, Hattie Gossett, Carole Gregory, Sue Heinemann, Lucy R. Lippard, May Stevens, Cecilia Vicuña, and Sylvia Witts Vitale --$$tSome do's and don'ts for Black women artists, in "Racism is the issue," Heresies, issue 15 (1982) /$$rEmma Amos --$$tUntitled, in "Racism is the issue," Heresies, issue 15 (1982) /$$rLorna Simpson --$$tBlack dreams, in "Racism is the issue," Heresies, issue 15 (1982) /$$rLorraine O'Grady --$$tAna Mendieta's dialetics of isolation /$$rStephanie Weissberg :$$tDialectics of isolation: an exhibition of third world women artists of the United States, excerpts (1980) ;$$tIntroduction /$$rAna Mendieta ;$$tArtist's statement /$$rBeverly Buchanan ;$$tArtist's statement /$$rJanet Henry ;$$tArtist's statement /$$rSenga Nengudi ;$$tArtist's statement /$$rHowardena Pindell --$$tOn making a video: free, White and 21 (1992) /$$rHowardena Pindell --$$tGender politics at the intersection of race, class and sexual identity /$$rCarmen Hermo --$$tSpeaking in tongues: a letter to third world women writers (1981) /$$rGloria Anzaldúa --$$tRevolutionary hope: a conversation between James Baldwin and Audre Lorde (1984) /$$rJames Baldwin and Audre Lorde --$$tThe eighties /$$rRujeko Hockley --$$tArt (world) & racism: testimony, documentation and statistics (1987) /$$rHowardena Pindell --$$tConfession: filming family: an interview with artist and filmmaker Camille Billops (1996) /$$rbell hooks --$$tPhoto spread of Rodeo Caldonia (1987) --$$tShe came with the rodeo (1994) /$$rLisa Jones.
000843241 520__ $$a"Focusing on the work of black women artists, We Wanted a Revolution: Black Radical Women, 1965-85 examines the political, social, cultural, and aesthetic priorities of women of color during the emergence of second-wave feminism. It is the first exhibition to highlight the voices and experiences of women of color--distinct from the primarily white, middle-class mainstream feminist movement--in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period. Presenting a diverse group of artists and activists who lived and worked at the intersections of avant-garde art worlds, radical political movements, and profound social change, the exhibition features a wide array of work, including conceptual, performance, film, and video art, as well as photography, painting, sculpture, and printmaking."--Brooklyn Museum website, viewed April 11, 2017.
000843241 61020 $$aBrooklyn Museum$$vExhibitions.
000843241 650_0 $$aAfrican American feminists$$xHistory$$y20th century$$vExhibitions.
000843241 650_0 $$aAfrican American women authors$$xHistory$$y20th century$$vExhibitions.
000843241 650_0 $$aAfrican American radicals$$y20th century$$vExhibitions.
000843241 650_0 $$aAfrican American women$$xPolitical activity$$y20th century$$vExhibitions.
000843241 650_0 $$aFeminist literature$$zUnited States$$xHistory$$y20th century$$vExhibitions.
000843241 650_0 $$aFeminism$$xHistory$$vSources$$vExhibitions.
000843241 655_7 $$aExhibition catalogs.$$2lcgft
000843241 7001_ $$aMorris, Catherine,$$eeditor,$$ewriter of added text.
000843241 7001_ $$aHockley, Rujeko,$$eeditor,$$ewriter of added text.
000843241 7001_ $$aChoi, Connie H.,$$ewriter of added text.
000843241 7001_ $$aHermo, Carmen,$$ewriter of added text.
000843241 7001_ $$aWeissberg, Stephanie,$$ewriter of added text.
000843241 7102_ $$aBrooklyn Museum,$$eissuing body,$$ehost institution.
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000843241 980__ $$aBIB
000843241 980__ $$aBOOK