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000843306 020__ $$a9781350030473$$q(electronic book)
000843306 020__ $$a1350030473$$q(electronic book)
000843306 020__ $$z9781350030466
000843306 020__ $$z1350030465
000843306 035__ $$a(NhCcYBP)EBC5451770
000843306 040__ $$aNhCcYBP$$cNhCcYBP
000843306 050_4 $$aPR3091$$b.S43 2018
000843306 08204 $$a792.9$$223
000843306 24500 $$aShakespeare and the 'Live' theatre broadcast experience /$$cedited by Pascale Aebischer, Susanne Greenhalgh and Laurie E. Osborne.
000843306 264_1 $$aLondon :$$bBloomsbury Publishing,$$c2018.
000843306 300__ $$a1 online resource.
000843306 336__ $$atext$$btxt$$2rdacontent
000843306 337__ $$acomputer$$bc$$2rdamedia
000843306 338__ $$aonline resource$$bcr$$2rdacarrier
000843306 4901_ $$aThe Arden Shakespeare
000843306 4901_ $$aMethuen drama
000843306 504__ $$aIncludes bibliographical references and index.
000843306 5050_ $$aCover page; Halftitle page; Series page; Title page; Copyright page; CONTENTS; ILLUSTRATIONS; LIST OF CONTRIBUTORS; ACKNOWLEDGEMENTS; NOTE ON THE TEXT; LIST OF ABBREVIATIONS; Introduction: Shakespeare and the 'Live' Theatre Broadcast Experience; Shakespeare and the 'Live' Theatre Broadcast Experience: a road-map; Notes; References; PART ONE Wide Angle; 1 The Remains of the Stage: Revivifying Shakespearean Theatre on Screen, 1964-2016; 'Actual performance' on screen in the 1960s; 'Not film sets, not stage sets': the National Theatre's studio Othello
000843306 5058_ $$aIn-house at the Roundhouse: Richardson's HamletLive theatre broadcast as commemoration and celebration; 50 Years on Stage and Shakespeare Live!; Conclusion; Notes; References; 2 Shakespeare's New Marketplace: The Places of Event Cinema; New technologies and the promise of access; NTLive and Shakespeare; Insider knowledge and added value; More Shakespeare, bigger markets; Notes; References; 3 The Audience Is Present: Aliveness, Social Media, and the Theatre Broadcast Experience; Aliveness; At the cinema: Kenneth Branagh Theatre Company's Romeo and Juliet
000843306 5058_ $$aAt home: Shakespeare's Globe's A Midsummer Night's DreamNotes; References; 4 Understanding 'New' Encounters with Shakespeare: Hybrid Media and Emerging Audience Behaviours; Headphones in the cinema: an audio-commentary of Coriolanus; Watching live online: Complete Works: Table Top Shakespeare; Engaging with Shakespeare: performing participation; Notes; References; PART TWO In the Theatre; 5 A View from the Stage: Interviews with Performers; Notes; References; 6 A View from the Stalls: The Audience's Experience in the Theatre During the RSC Live from Stratford-upon-von Broadcasts; References
000843306 5058_ $$aPART THREE Close-ups7 South Bank Shakespeare Goes Global: Broadcasting from Shakespeare's Globe and the National Theatre; Shared affect and the creation of spaces; The National Theatre as a space: illusionist Shakespeare for NTLive; Shakespeare's Globe as a place: presentational broadcasting; Coda: South Bank Shakespeares converge; Acknowledgements; Notes; References; 8 The Stratford Festival of Canada: Mental Tricks and Archival Documents in the Age of NTLive; Stratford Festival HD; Live transmission and archival records; Notes; References
000843306 5058_ $$a9 Talawa and Black Theatre Live: 'Creating the Ira Aldridges That Are Remembered' -- Live Theatre Broadcast and the Historical RecordTalawa Theatre Company and Black Theatre Live; Talawa's King Lear and Black Theatre Live's Hamlet; Creating a record with live broadcast; Notes; References; 10 Cheek by Jowl: Reframing Complicity in Web-Streams of Measure for Measure; Renegotiating liveness; Framing empty space; Framing the subject; Framing complicity; Notes; References; PART FOUR Reaction Shots; 11 The Curious Incident of Shakespeare Fans in NTLive: Public Screenings and Fan Culture in Japan
000843306 506__ $$aAccess limited to authorized users
000843306 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
000843306 5880_ $$aVendor-supplied metadata.
000843306 60010 $$aShakespeare, William,$$d1564-1616$$xDramatic production.
000843306 650_0 $$aTheater$$xProduction and direction.
000843306 650_0 $$aTheater audiences.
000843306 7001_ $$aAebischer, Pascale,$$d1970-$$eeditor.
000843306 7001_ $$aGreenhalgh, Susanne,$$eeditor.
000843306 7001_ $$aOsborne, Laurie,$$eeditor.
000843306 7102_ $$aProQuest (Firm)
000843306 77608 $$iPrint verison: $$z1350030465$$z9781350030466
000843306 830_0 $$aArden Shakespeare (Critical studies)
000843306 830_0 $$aMethuen drama (Series)
000843306 852__ $$bebk
000843306 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5451770$$zOnline Access
000843306 909CO $$ooai:library.usi.edu:843306$$pGLOBAL_SET
000843306 980__ $$aEBOOK
000843306 980__ $$aBIB
000843306 982__ $$aEbook
000843306 983__ $$aOnline