000844368 000__ 04760cam\a2200517Ii\4500 000844368 001__ 844368 000844368 005__ 20230306144838.0 000844368 006__ m\\\\\o\\d\\\\\\\\ 000844368 007__ cr\cn\nnnunnun 000844368 008__ 180727s2018\\\\sz\\\\\\ob\\\\001\0\eng\d 000844368 019__ $$a1047566094$$a1047774428 000844368 020__ $$a9783319943169$$q(electronic book) 000844368 020__ $$a3319943162$$q(electronic book) 000844368 020__ $$z9783319943152 000844368 020__ $$z3319943154 000844368 035__ $$aSP(OCoLC)on1046085287 000844368 035__ $$aSP(OCoLC)1046085287$$z(OCoLC)1047566094$$z(OCoLC)1047774428 000844368 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dYDX$$dCOO$$dEBLCP 000844368 043__ $$an-us--- 000844368 049__ $$aISEA 000844368 050_4 $$aHD9697.V544 000844368 08204 $$a384.55/5$$223 000844368 1001_ $$aJenner, Mareike,$$d1983-$$eauthor. 000844368 24510 $$aNetflix and the Re-invention of Television /$$cMareike Jenner. 000844368 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018] 000844368 264_4 $$c©2018 000844368 300__ $$a1 online resource. 000844368 336__ $$atext$$btxt$$2rdacontent 000844368 337__ $$acomputer$$bc$$2rdamedia 000844368 338__ $$aonline resource$$bcr$$2rdacarrier 000844368 504__ $$aIncludes bibliographical references and index. 000844368 5050_ $$aIntro; Acknowledgements; Contents; Chapter 1 Introduction: Netflix and the Re-invention of Television; Netflix and the Re-invention of Television; Netflix as TV IV; The Structure of This Book; Bibliography; Part I Controlling Television: TV's Ancillary Technologies; Chapter 2 Introduction: Control, Power, Television; Bibliography; Chapter 3 Managing Choice, Negotiating Power: Remote Controls; Negotiating Power via Television Remote Controls; Negotiating Power Through Programming; Remote Control Anxieties; Conclusion; Bibliography 000844368 5058_ $$aChapter 4 New Regimes of Control: Television as Convergence MediumTime-Shifting Television; Television and the VCR: Industries, Genres and Control; Television as Convergence Medium; Conclusion; Bibliography; Chapter 5 Digital Television and Control; Re-Establishing Industry Control: DVD and DVR; YouTube, Social Media and Narrative; Catching up on Television: BBC iPlayer and Hulu; Conclusion; Bibliography; Part II Binge-Watching and the Re-invention of Control; Chapter 6 Introduction: Binge-Watching Netflix; Bibliography; Chapter 7 Scheduling the Binge; Linear Television Schedules 000844368 5058_ $$aBinge-Watching Insulated FlowNetflix Algorithms, Genre and Entrance Flow; Conclusion; Bibliography; Chapter 8 'Quality', 'Popular' and the Netflix Brand: Negotiating Taste; Binging 'Quality' TV; Genre, 'Quality' and the Popular; Netflix Comedies: The Negotiation of Taste; Conclusion; Bibliography; Chapter 9 Netflix Marketing: The Binge and Diversity; Marketing the Binge; Mainstreaming the Binge; Recalibrating the Netflix Brand: Diversity; Conclusion; Bibliography; Part III Netflix and the Re-invention of Transnational Broadcasting; Chapter 10 Introduction: Netflix as Transnational Broadcaster 000844368 5058_ $$aTransnationalising the Television AudienceFragmented Audiences, Fans and the Netflix Audience; Conclusion; Bibliography; Part IV Conclusion; Chapter 14 Conclusion; Bibliography; Bibliography; Index 000844368 506__ $$aAccess limited to authorized users. 000844368 520__ $$a"This book deals with the various ways Netflix reconceptualises television as part of the process of TV IV. As television continues to undergo a myriad of significant changes, Netflix has proven itself to be the dominant force in this development, simultaneously driving a number of these changes and challenging television’s existing institutional structures. This comprehensive study explores the pre-history of Netflix, the role of binge-watching in its organisation and marketing, and Netflix’s position as a transnational broadcaster. It also examines different concepts of control and the role these play in the history of ancillary technologies, from the remote control to binge-watching as Netflix’s iteration of giving control to the viewers. By focusing on Netflix’s relationship with the linear television schedule, its negotiations of quality and marketing, as well as the way Netflix integrates into national media systems, Netflix and the Re-invention of Television illuminates the importance of Netflix’s role within the processes of TV IV."--$$cProvided by publisher. 000844368 588__ $$aOnline resource; title from PDF title page (viewed July 30, 2018). 000844368 61020 $$aNetflix (Firm) 000844368 650_0 $$aTelevision broadcasting$$xTechnological innovations$$zUnited States. 000844368 650_0 $$aStreaming video$$zUnited States. 000844368 77608 $$iPrint version: $$z3319943154$$z9783319943152$$w(OCoLC)1037810813 000844368 852__ $$bebk 000844368 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-94316-9$$zOnline Access$$91397441.1 000844368 909CO $$ooai:library.usi.edu:844368$$pGLOBAL_SET 000844368 980__ $$aEBOOK 000844368 980__ $$aBIB 000844368 982__ $$aEbook 000844368 983__ $$aOnline 000844368 994__ $$a92$$bISE