000847332 000__ 01708cam\a2200397\a\4500 000847332 001__ 847332 000847332 005__ 20210515153534.0 000847332 006__ m\\\\\o\\d\\\\\\\\ 000847332 007__ cr\cn\nnnunnun 000847332 008__ 110225s2011\\\\mdua\\\\ob\\\\001\0\eng\d 000847332 010__ $$z 2011008900 000847332 020__ $$z9780810881341 000847332 020__ $$z9780810881358$$q(electronic book) 000847332 035__ $$a(MiAaPQ)EBC741752 000847332 035__ $$a(Au-PeEL)EBL741752 000847332 035__ $$a(CaPaEBR)ebr10490773 000847332 035__ $$a(CaONFJC)MIL321388 000847332 035__ $$a(OCoLC)750174741 000847332 040__ $$aMiAaPQ$$cMiAaPQ$$dMiAaPQ 000847332 043__ $$an-us--- 000847332 050_4 $$aPN1993.5.U6$$bM37 2011 000847332 08204 $$a791.43/658$$222 000847332 1001_ $$aMarkert, John,$$d1945- 000847332 24510 $$aPost-9/11 cinema$$h[electronic resource] :$$bthrough a lens darkly /$$cJohn Markert. 000847332 260__ $$aLanham, Md. :$$bScarecrow Press, Inc.,$$c2011. 000847332 300__ $$axli, 149 p. :$$bcol. ill. 000847332 504__ $$aIncludes bibliographical references and index. 000847332 5050_ $$aIntroduction -- Cinema simplicity : heroes and villains -- The cinematic dialectic : movies begin to debate the war(s) -- The dialectic rages on : documentary films 2006-2010 -- Fictional features belatedly appear -- Conclusion. 000847332 506__ $$aAccess limited to authorized users. 000847332 650_0 $$aMotion pictures$$zUnited States$$xHistory$$y21st century. 000847332 650_0 $$aMotion pictures$$xPolitical aspects$$zUnited States. 000847332 650_0 $$aWar films$$zUnited States$$xHistory and criticism. 000847332 650_0 $$aSeptember 11 Terrorist Attacks, 2001$$xInfluence. 000847332 852__ $$bebk 000847332 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=741752$$zOnline Access 000847332 909CO $$ooai:library.usi.edu:847332$$pGLOBAL_SET 000847332 980__ $$aEBOOK 000847332 980__ $$aBIB 000847332 982__ $$aEbook 000847332 983__ $$aOnline