Linked e-resources
Details
Table of Contents
Prologue over the Atlantic and down the Thames
Hitchcock in 1970: the lion in waiting
Property values: the Hitchcock standards and the first "Frenzy"
Working with writers: Hitchcock and the preparation of the scenario
Working with another sleuth: Hitchcock and Anthony Shaffer
Brief inter-title: looking for a lost London
Cattle calls: ruminating over a cast
The 13-week production: mornings and afternoons on the set
Shooting the signature sequences, part I: Hitchcock as a master of montage
Shooting the signature sequences, part II: Hitchcock as the master of mise-en-scene and the moving camera
Brief inter-title: looking for a lost partner or "Hitchcock in love'
Adventures in post-production
Releasing the film: creating a frenzy around Frenzy
Critical acclaim and box-office redemption
The response from the Academy
Hitchcock and women: Hitch and his women
Forty years later
Postscript: becoming Sir Alfred
Appendix A: Frenzy cast and crew
Appendix B: Frenzy scene list.
Hitchcock in 1970: the lion in waiting
Property values: the Hitchcock standards and the first "Frenzy"
Working with writers: Hitchcock and the preparation of the scenario
Working with another sleuth: Hitchcock and Anthony Shaffer
Brief inter-title: looking for a lost London
Cattle calls: ruminating over a cast
The 13-week production: mornings and afternoons on the set
Shooting the signature sequences, part I: Hitchcock as a master of montage
Shooting the signature sequences, part II: Hitchcock as the master of mise-en-scene and the moving camera
Brief inter-title: looking for a lost partner or "Hitchcock in love'
Adventures in post-production
Releasing the film: creating a frenzy around Frenzy
Critical acclaim and box-office redemption
The response from the Academy
Hitchcock and women: Hitch and his women
Forty years later
Postscript: becoming Sir Alfred
Appendix A: Frenzy cast and crew
Appendix B: Frenzy scene list.