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000847891 020__ $$z9780521767118
000847891 020__ $$z0521767113
000847891 020__ $$a9781316099940$$q(electronic book)
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000847891 035__ $$a(OCoLC)880878376
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000847891 050_4 $$aPR719.V4$$bP37 2011
000847891 0820_ $$a822/.7/09$$222
000847891 1001_ $$aParker, Reeve,$$eauthor.
000847891 24510 $$aRomantic tragedies :$$bthe dark employments of Wordsworth, Coleridge, and Shelley /$$cReeve Parker.
000847891 264_1 $$aCambridge ;$$aNew York :$$bCambridge University Press,$$c2011.
000847891 300__ $$a1 online resource (318 pages) :$$billustrations.
000847891 336__ $$atext$$2rdacontent
000847891 337__ $$acomputer$$2rdamedia
000847891 338__ $$aonline resource$$2rdacarrier
000847891 4901_ $$aCambridge studies in Romanticism ;$$v87
000847891 504__ $$aIncludes bibliographical references (pages 286-295) and index.
000847891 5050_ $$aIntroduction: "Prowling out for dark employments" -- Part I. Wordsworth: 1. Reading Wordsworth's power: narrative and usurpation in The Borderers; 2. Cradling French Macbeth: managing the art of second-hand Shakespeare; 3. 'In some sort seeing with my proper eyes': Wordsworth and the spectacles of Paris; 4. Drinking up whole rivers: facing Wordsworth's watery discourse -- Part II. Coleridge and Shelley: 5. Osorio's dark employments: tricking out Coleridgean tragedy; 6. Listening to remorse: assuming man's infirmities; 7. Reading Shelley's delicacy.
000847891 506__ $$aAccess limited to authorized users.
000847891 520__ $$a"Troubled politically and personally, Wordsworth and Coleridge turned in 1797 to the London stage. Their tragedies, The Borderers and Osorio, were set in medieval Britain and early modern Spain to avoid the Lord Chamberlain's censorship. Drury Lane rejected both, but fifteen years later, Coleridge's revision, Remorse, had spectacular success there, inspiring Shelley's 1819 Roman tragedy, The Cenci, aimed for Covent Garden. Reeve Parker makes a striking case for the power of these intertwined works, written against British hostility to French republican liberties and Regency repression of home-grown agitation. Covertly, Remorse and The Cenci also turn against Wordsworth. Stressing the significance of subtly repeated imagery and resonances with Virgil, Shakespeare, Racine, Jean-François Ducis and Schiller, Parker's close readings, which are boldly imaginative and decidedly untoward, argue that at the heart of these tragedies lie powerful dramatic uncertainties driven by unstable passions - what he calls, adapting Coleridge's phrase for sorcery, 'dark employments'"--$$cProvided by publisher.
000847891 588__ $$aDescription based on print version record.
000847891 60010 $$aWordsworth, William,$$d1770-1850$$xDramatic works.
000847891 60010 $$aColeridge, Samuel Taylor,$$d1772-1834$$xDramatic works.
000847891 60010 $$aShelley, Percy Bysshe,$$d1792-1822$$xDramatic works.
000847891 650_0 $$aVerse drama, English$$xHistory and criticism.
000847891 650_0 $$aEnglish drama (Tragedy)$$xHistory and criticism.
000847891 650_0 $$aEnglish drama$$y18th century$$xHistory and criticism.
000847891 650_0 $$aEnglish drama$$y19th century$$xHistory and criticism.
000847891 650_0 $$aRomanticism$$zGreat Britain.
000847891 77608 $$iPrint version:$$aParker, Reeve.$$tRomantic tragedies : the dark employments of Wordsworth, Coleridge, and Shelley.$$dCambridge : Cambridge University Press, 2011$$z9780521767118$$w(OCoLC)ocn664450790$$w(DLC)10878311
000847891 830_0 $$aCambridge studies in Romanticism ;$$v87.
000847891 852__ $$bebk
000847891 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=1701879$$zOnline Access
000847891 909CO $$ooai:library.usi.edu:847891$$pGLOBAL_SET
000847891 980__ $$aEBOOK
000847891 980__ $$aBIB
000847891 982__ $$aEbook
000847891 983__ $$aOnline