000850516 000__ 03358cam\a2200469\a\4500 000850516 001__ 850516 000850516 005__ 20210515154402.0 000850516 006__ m\\\\\o\\d\\\\\\\\ 000850516 007__ cr\un\nnnunnun 000850516 008__ 181112s2013\\\\ctu\\\\\ob\\\\001\0\eng\d 000850516 019__ $$a923602279$$a966366355 000850516 020__ $$a0300195117$$q(electronic book) 000850516 020__ $$a9780300195118$$q(electronic book) 000850516 020__ $$a0300232543$$q(electronic book) 000850516 020__ $$a9780300232547$$q(electronic book) 000850516 020__ $$z9780300174878 000850516 020__ $$z030017487X 000850516 020__ $$z9780300205718 000850516 020__ $$z0300205716 000850516 035__ $$a(OCoLC)ocn829905829 000850516 035__ $$a(OCoLC)829905829$$z(OCoLC)923602279$$z(OCoLC)966366355 000850516 040__ $$aYDXCP$$beng$$epn$$cYDXCP$$dOCLCO$$dN$T$$dIDEBK$$dE7B$$dCDX$$dOCLCA$$dJSTOR$$dOCLCF$$dQGK$$dCOO$$dOCLCQ$$dTEFOD$$dOCLCQ$$dTEFOD$$dEBLCP$$dOCLCQ$$dCUS$$dYDX$$dAGLDB$$dICA$$dZ5A$$dOTZ$$dMERUC$$dOCLCQ$$dSAV$$dOCLCQ$$dEZ9$$dIOG$$dDEGRU$$dD6H$$dCNCGM$$dYUS$$dOCLCQ$$dYUS$$dVTS$$dINT$$dOCLCQ 000850516 049__ $$aISEA 000850516 050_4 $$aN66$$b.D26 2013eb 000850516 08204 $$a700.1$$223 000850516 1001_ $$aDanto, Arthur C.,$$d1924-2013,$$eauthor. 000850516 24510 $$aWhat art is /$$cArthur C. Danto. 000850516 264_1 $$aNew Haven [Connecticut] :$$bYale University Press,$$c©2013. 000850516 300__ $$a1 online resource (xii, 174 pages) 000850516 336__ $$atext$$btxt$$2rdacontent 000850516 337__ $$acomputer$$bc$$2rdamedia 000850516 338__ $$aonline resource$$bcr$$2rdacarrier 000850516 504__ $$aIncludes bibliographical references and index. 000850516 5050_ $$aWakeful dreams -- Restoration and meaning -- The body in philosophy and art -- The end of the contest: the paragone between painting and photography -- Kant and the work of art -- The future of aesthetics. 000850516 506__ $$aAccess limited to authorized users. 000850516 520__ $$a"What is it to be a work of art? Renowned author and critic Arthur C. Danto addresses this fundamental, complex question. Part philosophical monograph and part memoiristic meditation, What Art Is challenges the popular interpretation that art is an indefinable concept, instead bringing to light the properties that constitute universal meaning. Danto argues that despite varied approaches, a work of art is always defined by two essential criteria: meaning and embodiment, as well as one additional criterion contributed by the viewer: interpretation. Danto crafts his argument in an accessible manner that engages with both philosophy and art across genres and eras, beginning with Plato's definition of art in The Republic, and continuing through the progress of art as a series of discoveries, including such innovations as perspective, chiaroscuro, and physiognomy. Danto concludes with a fascinating discussion of Andy Warhol's famous shipping cartons, which are visually indistinguishable from the everyday objects they represent. Throughout, Danto considers the contributions of philosophers including Descartes, Kant, and Hegel, and artists from Michelangelo and Poussin to Duchamp and Warhol, in this far-reaching examination of the interconnectivity and universality of aesthetic production."--Publisher's website. 000850516 650_0 $$aArt$$xPhilosophy. 000850516 77608 $$iPrint version:$$z9780300174878$$z030017487X$$w(DLC) 2012031606 000850516 852__ $$bcoll 000850516 85280 $$bebk$$hEBSCOhost 000850516 85640 $$3eBooks on EBSCOhost$$uhttps://univsouthin.idm.oclc.org/login?url=http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=538705$$zOnline Access 000850516 909CO $$ooai:library.usi.edu:850516$$pGLOBAL_SET 000850516 980__ $$aEBOOK 000850516 980__ $$aBIB 000850516 982__ $$aEbook 000850516 983__ $$aOnline 000850516 994__ $$a92$$bISE