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000850534 001__ 850534
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000850534 010__ $$a  2018938024
000850534 020__ $$a9780300240832$$q(hardcover)
000850534 020__ $$a030024083X$$q(hardcover)
000850534 035__ $$a(OCoLC)on1028884048
000850534 035__ $$a850534
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000850534 050_4 $$aN6888.A5$$bA4 2018
000850534 08204 $$a709.2$$223
000850534 24500 $$aJosef Albers :$$binteraction /$$cedited by Heinz Liesbrock in collaboration with Ulrike Growe ; on behalf of Kulturstiftung Ruhr, Villa Hèugel.
000850534 24630 $$aInteraction
000850534 264_1 $$aNew Haven, Connecticut :$$bYale University Press,$$c[2018]
000850534 300__ $$a301 pages :$$billustrations (some color), photographs, portraits ;$$c31 cm
000850534 336__ $$atext$$btxt$$2rdacontent
000850534 336__ $$astill image$$bsti$$2rdacontent
000850534 337__ $$aunmediated$$bn$$2rdamedia
000850534 338__ $$avolume$$bnc$$2rdacarrier
000850534 500__ $$aPublished on the occasion of the exhibition Josef Albers: Interaction, Villa Hèugel, Essen, June 16, 2018-October 7, 2018.
000850534 504__ $$aIncludes bibliographical references (pages 298-300).
000850534 50500 $$tThe square in the villa /$$rSusanne Henle, Volker Troche --$$tJosef Albers: Exile and emigrâe /$$rBrenda Danilowitz --$$tSequence and seeing: The photocollages of Joseph Albers /$$rMichael Beggs --$$tActivating the negative as a pedagogical method /$$rEeva-Lisa Pelkonen --$$tHonesty and modesty: Josef Albers /$$rHeinz Liesbrock --$$tMagical glass: On my glass pictures /$$rJosef Albers --$$tThe Bauhaus: Reform and innovation, at the Bauhaus /$$rJosef Albers --$$tSandblasted glass /$$rJosef Albers --$$tAnother take-off: Both Americas --$$t1933: Farewell and future /$$rJosef Albers --$$tThe promised land of abstract art: Albers in Mexico /$$rHeinz Liesbrock --$$tVariants: Measuring color, on painting the variants /$$rJosef Albers --$$tPre-Columbian sculptures --$$tPre-Columbian art /$$rAnni Albers --$$tFarbenfabeln: On the origins and development of the "Homage to the square" /$$rJeanette Redensek --$$tHomage to the square --$$tSemblance and color /$$rUlrike Growe --$$tFrom the church to the plaza: Josef Albers, artist and catholic /$$rCharles Darwent --$$tThe spiritual artist --$$tThe silence of an icon /$$rHeinz Liesbrock --$$tInfluencing --$$tAmerican resonances /$$rHeinz Liesbrock --$$tDonald Judd on Josef Albers /$$rHeinz Liesbrock --$$t"High Spring" /$$rDonald Judd --$$tLooking at air: The fingerprint of Josef Albers /$$rJerry Zeniuk --$$tAn illustrated biography /$$rUlrike Growe.
000850534 518__ $$a"Josef Albers: Interaction" :$$dJune 16, 2018-October 7, 2018,$$pVilla Hèugel, Essen, Germany.
000850534 520__ $$a"Features all aspects of the artist's long career: paintings, prints, furniture, household objects, works in glass, photographs, and pre-Columbian sculptures"--$$cProvided by publisher.
000850534 5208_ $$a"Josef Albers (1888-1976) was one of the leading pioneers of 20th-century modernism; he was an extraordinary teacher, writer, painter, and color theorist, who is best known for hte 'Homage to the Square' (painted 1950-76) and 'Interaction of Color', published by Yale University Press in 1963. This generously illustrated overview of Albers's work, accompanying the first major exhibition on the artist in more than thirty years, features all aspects of his long, creative career. Beginning with Albers's time at the Bauhaus in Weimar and Dessau, the publication follows the artist to America and describes major themes of his work there as well as the importance of his frequent travels to Mexico. Paintings, prints, furniture, household objects, works in glass, photographs, and pre-Columbian sculptures are beautifully reproduced and discussed by a team of experts. The juxtaposition of Renaissance sculptures and icons with paintings by Albers underlines the intellectual and spiritual dimensions of his art, and Albers's influence on 1960s Minimalist art is also explored. Including a comprehensive biography, the book convincingly demonstrates how this great artist transformed modern design by using color, surface, and space to challenge the perception of the viewer."$$c--publisher's description, dust jacket.
000850534 546__ $$aText in English, translated from the German.
000850534 60010 $$aAlbers, Josef$$vExhibitions.
000850534 60010 $$aAlbers, Josef$$xCriticism and interpretation.
000850534 60010 $$aAlbers, Josef$$xThemes, motives.
000850534 650_0 $$aPainting, Abstract$$y20th century$$vExhibitions.
000850534 650_0 $$aArt, Modern$$y20th century$$vExhibitions.
000850534 650_0 $$aModernism (Art)$$y20th century$$vExhibitions.
000850534 650_0 $$aGerman American artists$$y20th century$$vExhibitions.
000850534 650_0 $$aMale artists$$zGermany$$y20th century$$vExhibitions.
000850534 655_7 $$aExhibition catalogs.$$2lcgft
000850534 655_7 $$aEssays.$$2lcgft
000850534 7001_ $$aLiesbrock, Heinz,$$d1953-$$eeditor.
000850534 7001_ $$aGrowe, Ulrike,$$eeditor.
000850534 7001_ $$aAlbers, Anni,$$eauthor.
000850534 7001_ $$aAlbers, Josef,$$eartist.
000850534 70012 $$iContainer of (work):$$aAlbers, Josef.$$tWorks.$$kSelections.
000850534 7102_ $$aKulturstiftung Ruhr,$$esponsoring body.
000850534 7102_ $$aVilla Hèugel e.V.,$$ehost institution.
000850534 7102_ $$aYale University Press,$$epublisher.
000850534 85200 $$bgen$$hN6888.A5$$iA4$$i2018
000850534 909CO $$ooai:library.usi.edu:850534$$pGLOBAL_SET
000850534 980__ $$aBIB
000850534 980__ $$aBOOK