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Table of Contents
Intro; Preface; Acknowledgements; Contents; List of Figures; Part I Definitions, Descriptions, and Comparisons; Chapter 1 The Midwife and the Janitor: How Names Convey the Value of Editing; Gaps in Knowledge; Elusiveness; Familiarity Breeds Contempt?; Bias Against Selection and Judgment; Formal Definitions; A Working Definition; Process; Selection; Shaping; Linking; Relationships; Accounts of Editing; Conclusion; References; Chapter 2 Translations of the Invisible: Three Types of Mediation; Self-Editing, Editing the Self; The Assembly of Images; Translation, Time and Voice
Another InvisibilityInfinite Decisions; The Attentive Reader; Fluid Boundaries; Performing the Text; Conclusion; References; Chapter 3 Editing and Mind: The Search for Meaning; Psychoanalysis as Rhetoric; Neuroscience and the Metaself; Philosophical Triangulation; Cognitive Science: Triangulation as Method; Attention and Art; Conclusion; References; Part II History, Time and Change; Chapter 4 An Expectation of Error: The Emergence of Modern Editing; Earliest Forms; Periodicals as a Crucible of Editing; Emergence of the Modern Book Editor; The Demands of Narrative; Editing and Identity
ConclusionReferences; Chapter 5 Editing in the Digital Present; Crossing the Line of Publication: Early Negotiations; Weblogs and Anti-Editing; Replication and Evolution of Forms; Born-Digital Editing; Human vs Computer, Contd.; Editing and Form; Conclusion; References; Part III Theory Frames; Chapter 6 Editing and the Real: From Postmodern Idealism to New Materialism; Idealist Frameworks; Social Constructivism; Editing as Gatekeeping; The Risk of Determinism; Radical Constructivism; Challenges: External Reality; Challenges: Human Agency; Challenges: Epistemic Closure; Materialist Frameworks
Material and CritiqueEditing as Communicative Rationality; Editing as an Actor Network; Editing as Lived Experience; Conclusion; References; Chapter 7 Editing in the Academy: How Practice Is Taught and Studied; Frames of Knowledge for Practice; Writing and Editing in the Classroom; Editing as Deep Change; Scholarly Editing and Book History; A Tale of Three Books; The Digital Dimension; Theory Wars (DH Edition); Conclusion; References; Chapter 8 Anti-Editing and the Digital Romantics; Elitism vs Democracy; Authentic vs Fake; Finished and Unfinished; Open vs Closed; A Hybrid Romanticism
ConclusionReferences; Chapter 9 A Poetics of Editing; Rhetoric; Burkean Rhetoric; Rhetoric and Narrative; Poetics; Bakhtin's Poetics; Editing and Contemporary Poetics; Conclusion; References; Chapter 10 Coda; Index
Another InvisibilityInfinite Decisions; The Attentive Reader; Fluid Boundaries; Performing the Text; Conclusion; References; Chapter 3 Editing and Mind: The Search for Meaning; Psychoanalysis as Rhetoric; Neuroscience and the Metaself; Philosophical Triangulation; Cognitive Science: Triangulation as Method; Attention and Art; Conclusion; References; Part II History, Time and Change; Chapter 4 An Expectation of Error: The Emergence of Modern Editing; Earliest Forms; Periodicals as a Crucible of Editing; Emergence of the Modern Book Editor; The Demands of Narrative; Editing and Identity
ConclusionReferences; Chapter 5 Editing in the Digital Present; Crossing the Line of Publication: Early Negotiations; Weblogs and Anti-Editing; Replication and Evolution of Forms; Born-Digital Editing; Human vs Computer, Contd.; Editing and Form; Conclusion; References; Part III Theory Frames; Chapter 6 Editing and the Real: From Postmodern Idealism to New Materialism; Idealist Frameworks; Social Constructivism; Editing as Gatekeeping; The Risk of Determinism; Radical Constructivism; Challenges: External Reality; Challenges: Human Agency; Challenges: Epistemic Closure; Materialist Frameworks
Material and CritiqueEditing as Communicative Rationality; Editing as an Actor Network; Editing as Lived Experience; Conclusion; References; Chapter 7 Editing in the Academy: How Practice Is Taught and Studied; Frames of Knowledge for Practice; Writing and Editing in the Classroom; Editing as Deep Change; Scholarly Editing and Book History; A Tale of Three Books; The Digital Dimension; Theory Wars (DH Edition); Conclusion; References; Chapter 8 Anti-Editing and the Digital Romantics; Elitism vs Democracy; Authentic vs Fake; Finished and Unfinished; Open vs Closed; A Hybrid Romanticism
ConclusionReferences; Chapter 9 A Poetics of Editing; Rhetoric; Burkean Rhetoric; Rhetoric and Narrative; Poetics; Bakhtin's Poetics; Editing and Contemporary Poetics; Conclusion; References; Chapter 10 Coda; Index