000851229 000__ 04825cam\a2200565\i\4500
000851229 001__ 851229
000851229 005__ 20210515154626.0
000851229 008__ 171201s2018\\\\ilua\\\\\bc\\\001\0deng\\
000851229 010__ $$a  2017057656
000851229 020__ $$a9780300232981$$q(hardcover)
000851229 020__ $$a0300232985$$q(hardcover)
000851229 020__ $$a9780865592964$$q(paperback)
000851229 020__ $$a0865592969$$q(paperback)
000851229 035__ $$a(OCoLC)on1015275517
000851229 035__ $$a851229
000851229 040__ $$aDLC$$beng$$erda$$cDLC$$dOCLCO$$dOCLCF$$dYDX$$dERASA$$dOCLCA$$dBP1$$dYDX$$dNZAUC$$dOCLCO$$dDLC$$dCHVBK$$dNYP$$dOCLCO$$dCNNGC$$dIXA$$dUBY$$dCZA$$dUKTTE
000851229 042__ $$apcc
000851229 043__ $$an-us---
000851229 049__ $$aISEA
000851229 05000 $$aN6537.W44$$bA4 2018
000851229 080__ $$aWHITE
000851229 08200 $$a704.03/96073$$223
000851229 24500 $$aCharles White :$$ba retrospective /$$cedited by Sarah Kelly Oehler and Esther Adler ; with essays by Esther Adler [and five others] ; and a preface by Kerry James Marshall.
000851229 250__ $$aFirst edition.
000851229 264_1 $$aChicago :$$bThe Art Institute of Chicago ;$$aNew York :$$bThe Museum of Modern Art,$$c[2018]
000851229 264_2 $$aNew Haven :$$bYale University Press
000851229 300__ $$a247 pages :$$billustrations (some color), portraits ;$$c32 cm
000851229 336__ $$atext$$btxt$$2rdacontent
000851229 336__ $$astill image$$bsti$$2rdacontent
000851229 337__ $$aunmediated$$bn$$2rdamedia
000851229 338__ $$avolume$$bnc$$2rdacarrier
000851229 500__ $$aPublished in conjunction with an exhibition of the same title organized by the Art Institute of Chicago and the Museum of Modern Art.
000851229 500__ $$aExhibition dates: The Art Institute of Chicago, June 8, 2018-September 3, 2018. The Museum of Modern Art, October 7, 2018-January 13, 2019. Los Angeles County Museum of Art, February 17, 2019-June 9, 2019.
000851229 504__ $$aIncludes bibliographical references and index.
000851229 5050_ $$aForeword / James Rondeau and Glenn D. Lowry -- Acknowledgments / Sarah Kelly Oehler and Esther Adler -- A black artist named White / Kerry James Marshall -- Yesterday, today, tomorrow : Charles White's murals and history as art / Sarah Kelly Oehler -- "Graphic interpreter of the black people" : Charles White as draftsman and printmaker / Mark Pascale -- Plates : Chicago and the war years -- Charles White, feminist at midcentury / Kellie Jones -- In search of beauty : Charles White's exposures / Deborah Willis -- Plates : New York -- Charles White's art and activism in southern California / Ilene Susan Fort -- Charles White, artist and teacher / Esther Adler -- Plates : Los Angeles -- Chronology / compiled by John Murphy and Ashley James -- Selected inventory of Charles White's library / compiled by Ashley James -- Selected exhibition history / compiled by John Murphy and Stacy Kammert -- Checklist of the exhibition -- Selected bibliography -- Index -- Photography credits.
000851229 520__ $$a"This is a revelatory reassessment of one of the most influential American artists of the 20th century: Charles White (1918-1979) is best known for bold, large-scale paintings and drawings of African Americans, meticulously executed works that depict human relationships and socioeconomic struggles with a remarkable sensitivity. This comprehensive study offers a much-needed reexamination of the artist's career and legacy. With handsome reproductions of White's finest paintings, drawings, and prints, the volume introduces his work to contemporary audiences, reclaims his place in the art-historical narrative, and stresses the continuing relevance of his insistent dedication to producing positive social change through art. Tracing White's career from his emergence in Chicago to his mature practice as an artist, activist, and educator in New York and Los Angeles, leading experts provide insights into White's creative process, his work as a photographer, his political activism and interest in history, the relationship between his art and his teaching, and the importance of feminism in his work. A preface by Kerry James Marshall addresses White's significance as a mentor to an entire generation of practitioners and underlines the importance of this largely overlooked artist"--$$cProvided by publisher.
000851229 60010 $$aWhite, Charles,$$d1918-1979$$vExhibitions.
000851229 650_0 $$aAfrican American artists$$vExhibitions.
000851229 650_0 $$aAfrican Americans in art$$vExhibitions.
000851229 651_0 $$aUnited States$$xRace relations$$xIn art.
000851229 7001_ $$aOehler, Sarah Kelly,$$eeditor.
000851229 7001_ $$aAdler, Esther$$c(Curator),$$eeditor,$$eauthor.
000851229 7001_ $$aFort, Ilene Susan,$$eauthor.
000851229 7001_ $$aOehler, Sarah Kelly,$$eauthor.
000851229 7001_ $$aPascale, Mark,$$d1954-$$eauthor.
000851229 7001_ $$aWillis, Deborah,$$d1948-$$eauthor.
000851229 7001_ $$aMarshall, Kerry James,$$d1955-$$ewriter of preface.
000851229 7102_ $$aArt Institute of Chicago,$$eorganizer.
000851229 7102_ $$aMuseum of Modern Art (New York, N.Y.),$$eorganizer.
000851229 7102_ $$aLos Angeles County Museum,$$ehost institution.
000851229 85200 $$bgen$$hN6537.W44$$iA4$$i2018
000851229 909CO $$ooai:library.usi.edu:851229$$pGLOBAL_SET
000851229 980__ $$aBIB
000851229 980__ $$aBOOK