The modernist soundscape: ocularcentrism and auditory technologies
Music and the prosody of voice: Dorothy Richardson and the transformation from silent film to the talkie
Recording the soundscape: Virginia Woolf's onomatopoeia and the phonograph
Turning up the volume of inner speech: headphones and James Joyce's interior monologue
Inner speech as a gramophone record: Jean Rhys's Bohemian voice and popular music
Turning words into sounds: Samuel Beckett's repetition and the tape recorder.