000851379 000__ 04711cam\a2200517Ii\4500 000851379 001__ 851379 000851379 005__ 20230306145012.0 000851379 006__ m\\\\\o\\d\\\\\\\\ 000851379 007__ cr\cn\nnnunnun 000851379 008__ 180810s2018\\\\sz\\\\\\ob\\\\001\0\eng\d 000851379 019__ $$a1048945176 000851379 020__ $$a9783319898513$$q(electronic book) 000851379 020__ $$a3319898515$$q(electronic book) 000851379 020__ $$z9783319898506 000851379 020__ $$z3319898507 000851379 035__ $$aSP(OCoLC)on1048355858 000851379 035__ $$aSP(OCoLC)1048355858$$z(OCoLC)1048945176 000851379 040__ $$aN$T$$beng$$erda$$epn$$cN$T$$dN$T$$dEBLCP$$dYDX$$dOCLCF$$dVLB$$dQGJ$$dUKMGB$$dOCLCQ 000851379 049__ $$aISEA 000851379 050_4 $$aPR2970 000851379 08204 $$a822.3/3$$223 000851379 24500 $$aLocal and global myths in Shakespearean performance /$$cAneta Mancewicz, Alexa Alice Joubin, editors. 000851379 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c2018. 000851379 264_4 $$c©2018 000851379 300__ $$a1 online resource. 000851379 336__ $$atext$$btxt$$2rdacontent 000851379 337__ $$acomputer$$bc$$2rdamedia 000851379 338__ $$aonline resource$$bcr$$2rdacarrier 000851379 4901_ $$aReproducing Shakespeare 000851379 504__ $$aIncludes bibliographical references and index. 000851379 5050_ $$aIntro; Preface; Acknowledgments; Contents; Notes on Contributors; List of Figures; Chapter 1: Introduction; Global Shakespeare as Myth; Myth in Performance; Structure of the Book; References; Part I: Myths of Linguistic Transcendence, Authenticity, Universality; Chapter 2: "Europe Speaks Shakespeare": Karin Beier's 1996 A Midsummer Night's Dream, Multilingual Performance and the Myth of Shakespeare's Linguistic Transcendence; References; Chapter 3: The Myth of Shakespearean Authenticity: Neoliberalism and Humanistic Shakespeare; The Macbeth Myth: Eradicating World Evil. 000851379 5058_ $$aThe Romeo Cameo: Curing the Gays, Academics, and (Shakespeare) HereticsReinscribing (Authentic) Normative Templates; References; Chapter 4: Shamanistic Shakespeare: Korea's Colonization of Hamlet; Yohangza's Hamlet: A Mythic Case Study; Korean Shamanism as Theatrical Entertainment; Hamlet, Han, and Anti-Japanese Sentiment; Korean Nationalism and Shamanic Reanimation; References; Part II: Myths of Local Identities and Global Icons; Chapter 5: Ludwig Tieck and the Development of the Romantic Myth of a "German Shakespeare"; Tieck's Romanticism: Passion and Bardolatry. 000851379 5058_ $$aDeveloping the Myth of Shakespeare as "Inventor of the Human": Tieck as Romantic Author, Translator, and CriticMythmaking on the German Stage: Tieck as Shakespearean Director and Dramaturg; Conclusion: Tieck's Shakespeare: Romanticism, Myth, and Nation; References; Chapter 6: Shakespeare Beyond the Trenches: The German Myth of unser Shakespeare in Transnational Perspective; "Take Up Our Quarrel with the Foe": Locating the German Shakespeare Myth; Transgressive Shakespeares: From Fidelity to Verfremdung; Germany Going Global: The Bremer Shakespeare Company. 000851379 5058_ $$aTransgression Transnationalized: Thomas Ostermeier and the SchaubühneRe-assembling the Myth: Shakespeare and the German Tradition; References; Chapter 7: "Tupi or Not Tupi, That Is the Question": Brazilian Mythical Afterlives of Shakespeare's Hamlet; Creative Cannibalism, Hybridity, and the "Space In-Between"; Mythic Perspectives in Shakespeare's Hamlet; Ham-let (1993), Directed by Zé Celso; Caixa-Preta's Syncretic Hamlet (2005), Directed by Jessé de Oliveira; Conclusion; References; Part III: Myths of Political Shakespeare. 000851379 5058_ $$aChapter 8: Hamlet and the Fall of the Berlin Wall: The Myth of Interventionist Shakespeare PerformanceGlobal Myths: Theater as Subversive Medium; Local Applications: "Undercover Shakespeare" in East Germany; Hamlet/Maschine and the Revolution; References; Chapter 9: Denmark's a Prison: Appropriating Modern Myths of Hamlet After 1989 in Lin Zhaohua's Hamulaite and Jan Klata's H.; Lin Zhaohua's Hamulaite1 (Hamlet); Jan Klata's H.6; Conclusion; References; Chapter 10: Hamlet in Times of War: Two Appropriations of Shakespeare's Tragedy in Former Yugoslavia in the 1990s. 000851379 506__ $$aAccess limited to authorized users. 000851379 588__ $$aOnline resource; title from PDF title page (viewed August 13, 2018). 000851379 60010 $$aShakespeare, William,$$d1564-1616$$xCriticism and interpretation. 000851379 7001_ $$aMancewicz, Aneta,$$eeditor. 000851379 7001_ $$aJoubin, Alexa Alice,$$eeditor. 000851379 77608 $$iPrint version:$$tLocal and global myths in Shakespearean performance.$$dCham, Switzerland : Palgrave Macmillan, 2018$$z3319898507$$z9783319898506$$w(OCoLC)1028941722 000851379 830_0 $$aReproducing Shakespeare. 000851379 852__ $$bebk 000851379 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-89851-3$$zOnline Access$$91397441.1 000851379 909CO $$ooai:library.usi.edu:851379$$pGLOBAL_SET 000851379 980__ $$aEBOOK 000851379 980__ $$aBIB 000851379 982__ $$aEbook 000851379 983__ $$aOnline 000851379 994__ $$a92$$bISE