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Table of Contents
Introduction
The chapter before the first : dwelling and the uncanny
Poem, subject, place
English losses : Thomas Hardy and the memory of Wessex
All you need is love? Edward Thomas, apostrophizing the other
Haunted Victoriographies, late-Victorian and neo-Victorian
'A parallel dimension' : the haunted streets anad specral poethics of the neo-Victorian novel
Rural hauntings, English losses, cultural memory
'Can you tell me where my country lies?' : re-membering, re-presenting the forgotten
'Chewing through your wimpey dreams' : whimsy, loss, and the 'experience' of the rural in English music and art, 1966-1976
Voices in a landscape
'And for a moment' : voicing the landscape with Alice Oswald and John Burnside
'It was suddenly hard winter' : crossing the field with John Burnside
Place and displacement : Julian Barnes and the haunted self
Afterword.
The chapter before the first : dwelling and the uncanny
Poem, subject, place
English losses : Thomas Hardy and the memory of Wessex
All you need is love? Edward Thomas, apostrophizing the other
Haunted Victoriographies, late-Victorian and neo-Victorian
'A parallel dimension' : the haunted streets anad specral poethics of the neo-Victorian novel
Rural hauntings, English losses, cultural memory
'Can you tell me where my country lies?' : re-membering, re-presenting the forgotten
'Chewing through your wimpey dreams' : whimsy, loss, and the 'experience' of the rural in English music and art, 1966-1976
Voices in a landscape
'And for a moment' : voicing the landscape with Alice Oswald and John Burnside
'It was suddenly hard winter' : crossing the field with John Burnside
Place and displacement : Julian Barnes and the haunted self
Afterword.