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Table of Contents
Preface / by Nuria Schoenberg Nono
Introduction / by the editors
Exergo : clarifications (1956)
Excursus I : an autobiography recounted by Enzo Restagno (1987)
Part I : Musical analysis and composition. Dallapiccola and the sex carmina alcaei (ca. 1948). On the development of serial technique (1956). The development of serial technique (1957). Text-music-song (1960). [About il canto sospeso] (1976)
Excursus II : Letter from Los Angeles (1956)
Part II : Music on stage : from a "Theatre of Ideas" to the "Tragedy of listening." Some clarifications on Intolleranza 1960 (1962). Possibility and necessity of a new musical theatre (1962). Play and truth in the new musical theatre (1962). Die Ermittlung : a musical and theatrical experience with Weiss and Piscator [music and theatre] (1966). Towards Prometeo : journal fragments (1984)
Excursus III : Interview with Renato Garavaglia (1979-80)
Part III : "Conscience, feelings, collective reality." Historical presence of music today (1959). Music and resistance (1963). Replies to seven questions by Martine Cadieu (1966). Music and power (1969). In the Sierra and in the Parliament (1971)
Excursus IV : Technology to discover a universe of sounds (interview with Walter Prati and Roberto Masotti-1983)
Part IV : Portraits and dedications. Josef Svoboda (1968). Remembering two musicians (1973). Victor Jara's song (1974). Preface to Arnold Schoenberg's Harmonielehre (1977). Bartók the composer (1981). For Helmut (1983). For Marino Zuccheri (1986)
Excursus V : Interview with Michelangelo Zurletti (1987)
Part V : The "possible infinities". Error as a necessity (1983). Other possibilities for listening (1985). Lecture at the Chartreuse in Villeneuve-lès-Avignon (1989)
Excursus VI : "Proust" questionnaire (1986)
Bibliographical notes and commentary on the texts
Chronology of the works.
Introduction / by the editors
Exergo : clarifications (1956)
Excursus I : an autobiography recounted by Enzo Restagno (1987)
Part I : Musical analysis and composition. Dallapiccola and the sex carmina alcaei (ca. 1948). On the development of serial technique (1956). The development of serial technique (1957). Text-music-song (1960). [About il canto sospeso] (1976)
Excursus II : Letter from Los Angeles (1956)
Part II : Music on stage : from a "Theatre of Ideas" to the "Tragedy of listening." Some clarifications on Intolleranza 1960 (1962). Possibility and necessity of a new musical theatre (1962). Play and truth in the new musical theatre (1962). Die Ermittlung : a musical and theatrical experience with Weiss and Piscator [music and theatre] (1966). Towards Prometeo : journal fragments (1984)
Excursus III : Interview with Renato Garavaglia (1979-80)
Part III : "Conscience, feelings, collective reality." Historical presence of music today (1959). Music and resistance (1963). Replies to seven questions by Martine Cadieu (1966). Music and power (1969). In the Sierra and in the Parliament (1971)
Excursus IV : Technology to discover a universe of sounds (interview with Walter Prati and Roberto Masotti-1983)
Part IV : Portraits and dedications. Josef Svoboda (1968). Remembering two musicians (1973). Victor Jara's song (1974). Preface to Arnold Schoenberg's Harmonielehre (1977). Bartók the composer (1981). For Helmut (1983). For Marino Zuccheri (1986)
Excursus V : Interview with Michelangelo Zurletti (1987)
Part V : The "possible infinities". Error as a necessity (1983). Other possibilities for listening (1985). Lecture at the Chartreuse in Villeneuve-lès-Avignon (1989)
Excursus VI : "Proust" questionnaire (1986)
Bibliographical notes and commentary on the texts
Chronology of the works.