TY - GEN N2 - Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' 'Tales from Ovid' for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and opera from Europe to Asia and the Americas. AB - Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' 'Tales from Ovid' for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and opera from Europe to Asia and the Americas. T1 - Epic performances from the Middle Ages into the twenty-first century / AU - Macintosh, Fiona, ET - First edition. CN - Oxford Scholarship Online CN - PN1303 ID - 855887 KW - Epic poetry KW - Epic poetry KW - Stage adaptations. SN - 9780191842412 TI - Epic performances from the Middle Ages into the twenty-first century / LK - https://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oso/9780198804215.001.0001 UR - https://univsouthin.idm.oclc.org/login?url=http://dx.doi.org/10.1093/oso/9780198804215.001.0001 ER -