000856468 000__ 02835cam\a2200445Ii\4500 000856468 001__ 856468 000856468 005__ 20230306145138.0 000856468 006__ m\\\\\o\\d\\\\\\\\ 000856468 007__ cr\un\nnnunnun 000856468 008__ 181115s2018\\\\sz\\\\\\o\\\\\000\0\eng\d 000856468 020__ $$a9783030005061$$q(electronic book) 000856468 020__ $$a3030005062 000856468 020__ $$z3030005054 000856468 020__ $$z9783030005054 000856468 035__ $$aSP(OCoLC)on1076258214 000856468 035__ $$aSP(OCoLC)1076258214$$z(OCoLC)1065540572$$z(OCoLC)1073095097 000856468 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dN$T$$dOCLCO$$dOCLCQ$$dYDX$$dOH1$$dVT2$$dOCLCF$$dOCLCQ$$dLGG 000856468 049__ $$aISEA 000856468 050_4 $$aML2075 000856468 08204 $$a781.542$$223 000856468 1001_ $$aIreland, David$$q(David Ian),$$eauthor. 000856468 24510 $$aIdentifying and interpreting incongruent film music /$$cDavid Ireland. 000856468 264_1 $$aBasingstoke, Hampshire :$$bPalgrave Macmillan,$$c2018. 000856468 264_1 $$aCham :$$bPalgrave Macmillan US,$$c2018. 000856468 336__ $$atext$$btxt$$2rdacontent 000856468 337__ $$acomputer$$bc$$2rdamedia 000856468 338__ $$aonline resource$$bcr$$2rdacarrier 000856468 4901_ $$aPalgrave Studies in Audio-Visual Culture 000856468 506__ $$aAccess limited to authorized users. 000856468 520__ $$aThis book explores the concept of incongruent film music, challenging the idea that this label only describes music that is inappropriate or misfitting for a film's images and narrative. Defining incongruence as a lack of shared properties in the audiovisual relationship, this study examines various types of incongruence between a film and its music and considers the active role that it can play in the construction of a film's meaning and influencing audience response. Synthesising findings from research in the psychology of music in multimedia, as well as from ideas sourced in semiotics, film music, and poststructuralist theory, this interdisciplinary book provides a holistic perspective that reflects the complexity of moments of film-music incongruence. With case studies including well-known films such as Gladiator and The Shawshank Redemption, this book combines scene analysis and empirical audience reception tests to emphasise the subjectivity, context-dependency, and multi-dimensionality inherent in identifying and interpreting incongruent film music. 000856468 588__ $$aDescripition based on print version record. 000856468 650_0 $$aMotion pictures and music. 000856468 650_0 $$aMotion picture music$$xHistory and criticism. 000856468 650_0 $$aCulture in motion pictures. 000856468 77608 $$iPrint version:$$aIreland, David (David Ian).$$tIdentifying and interpreting incongruent film music.$$dCham : Palgrave Macmillan, [2018]$$z9783030005054$$w(OCoLC)1079804880 000856468 830_0 $$aPalgrave studies in audio-visual culture. 000856468 85280 $$bebk$$hSpringerLink 000856468 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-00506-1$$zOnline Access$$91397441.1 000856468 909CO $$ooai:library.usi.edu:856468$$pGLOBAL_SET 000856468 980__ $$aEBOOK 000856468 980__ $$aBIB 000856468 982__ $$aEbook 000856468 983__ $$aOnline 000856468 994__ $$a92$$bISE