000856481 000__ 02642cam\a2200481M\\4500 000856481 001__ 856481 000856481 005__ 20230306145138.0 000856481 006__ m\\\\\o\\d\\\\\\\\ 000856481 007__ cr\un\nnnunnun 000856481 008__ 181120s2018\\\\sz\a\\\\ob\\\\001\0\eng\d 000856481 019__ $$a1066122954$$a1066186423$$a1078780104$$a1082507752 000856481 020__ $$a9783319991665$$q(electronic book) 000856481 020__ $$a3319991663$$q(electronic book) 000856481 020__ $$z3319991655 000856481 020__ $$z9783319991658 000856481 035__ $$aSP(OCoLC)on1204034931 000856481 035__ $$aSP(OCoLC)1204034931 000856481 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dUAB$$dOH1$$dOCLCO$$dEBLCP$$dN$T$$dOCLCF$$dUKMGB$$dOCLCQ$$dMERER 000856481 049__ $$aISEA 000856481 050_4 $$aPN2193.A8$$bS43 2018 000856481 1001_ $$aSedgman, Kirsty,$$eauthor. 000856481 24514 $$aThe reasonable audience :$$btheatre etiquette, behaviour policing, and the live performance experience /$$cKirsty Sedgman. 000856481 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018] 000856481 264_4 $$c©2018 000856481 300__ $$a1 online resource (xi, 174 pages) :$$billustrations. 000856481 336__ $$atext$$btxt$$2rdacontent 000856481 337__ $$acomputer$$bc$$2rdamedia 000856481 338__ $$aonline resource$$bcr$$2rdacarrier 000856481 4901_ $$aPalgrave Pivot 000856481 504__ $$aIncludes bibliographical references (pages 155-170) and index. 000856481 5050_ $$aIntroduction -- The theatre contract -- Audience attention and aesthetic experience -- A defence of theatre etiquette -- On the reasonable audience -- Marked/unmarked bodies. 000856481 506__ $$aAccess limited to authorized users. 000856481 520__ $$aThe Reasonable Audience explores the recent trend of 'theatre etiquette': an audience-led crusade to bring 'manners and respect' back to the auditorium. This comes at a time when, around the world, arts institutions are working to balance the traditional pleasures of receptive quietness with the need to foster more inclusive experiences. Through investigating the rhetorics of morality underpinning both sides of the argument, this book examines how models of 'good' and 'bad' spectatorship are constructed and legitimised. Is theatre etiquette actually snobbish? Are audiences really more selfish? Who gets to decide what counts as 'reasonable' within public space? Using theatre etiquette to explore wider issues of social participation, cultural exclusion, and the politics of identity, Kirsty Sedgman asks what it means to police the behaviour of others. 000856481 588__ $$aDescription based on print version record. 000856481 650_0 $$aTheater audiences$$xAttitudes. 000856481 650_0 $$aEtiquette. 000856481 650_0 $$aAuthority. 000856481 77608 $$iPrint version:$$aSedgman, Kirsty.$$tReasonable audience.$$dCham, Switzerland : Palgrave Macmillan, [2018]$$z3319991655$$z9783319991658$$w(OCoLC)1044861478 000856481 830_0 $$aPalgrave pivot. 000856481 85280 $$bebk$$hSpringerLink 000856481 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-319-99166-5$$zOnline Access$$91397441.1 000856481 909CO $$ooai:library.usi.edu:856481$$pGLOBAL_SET 000856481 980__ $$aEBOOK 000856481 980__ $$aBIB 000856481 982__ $$aEbook 000856481 983__ $$aOnline 000856481 994__ $$a92$$bISE