000856482 000__ 02910cam\a2200493M\\4500 000856482 001__ 856482 000856482 005__ 20230306145138.0 000856482 006__ m\\\\\o\\d\\\\\\\\ 000856482 007__ cr\un\nnnunnun 000856482 008__ 181120s2018\\\\sz\\\\\\ob\\\\001\0\eng\d 000856482 019__ $$a1066123485$$a1078781295 000856482 020__ $$a9783030020989$$q(electronic book) 000856482 020__ $$a3030020983$$q(electronic book) 000856482 020__ $$z3030020975 000856482 020__ $$z9783030020972 000856482 035__ $$aSP(OCoLC)on1066196810 000856482 035__ $$aSP(OCoLC)1066196810$$z(OCoLC)1066123485$$z(OCoLC)1078781295 000856482 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dN$T$$dOCLCF$$dYDXIT$$dYDX$$dUAB$$dOH1$$dOCLCQ$$dMERER 000856482 049__ $$aISEA 000856482 050_4 $$aPN56.M44$$bJ64 2018 000856482 1001_ $$aJohnson, Erica L.,$$d1970-$$eauthor. 000856482 24510 $$aCultural memory, memorials, and reparative writing /$$cErica L. Johnson. 000856482 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2018] 000856482 300__ $$a1 online resource (xi, 112 pages). 000856482 336__ $$atext$$btxt$$2rdacontent 000856482 337__ $$acomputer$$bc$$2rdamedia 000856482 338__ $$aonline resource$$bcr$$2rdacarrier 000856482 4901_ $$aPalgrave studies in affect theory and literary criticism 000856482 504__ $$aIncludes bibliographical references and index. 000856482 5050_ $$aA brief introduction -- In theory : memory as an affective archive -- Memoir and memory-traces -- Cultural memory, affect, and countermonuments -- Coda : on memory and memorial. 000856482 506__ $$aAccess limited to authorized users. 000856482 520__ $$aCultural Memory, Memorials, and Reparative Writing examines the ways in which memory furnishes important source material in the three distinct areas of critical theory, memoir, and memorial art. The book first shows how affect theorists have increasingly complemented more traditional archival research through the use of "academic memoir." This theoretical piece is then applied to memoir works by Caribbean writers Dionne Brand and Patrick Chamoiseau, and the final case study in the book interprets as memorial art Kara Walker's ephemeral 80,000 pound sugar sculpture of 2014. Memory as method; memory as archive; memorial as affect: this book looks at the interplay between archival sources on the one hand, and the affective memories, both personal and collective, that flow from, around, and into the constantly shifting record of the past. 000856482 588__ $$aOnline resource; title from digital title page (viewed on December 28, 2018). 000856482 650_0 $$aMemory in literature. 000856482 650_0 $$aMemory in art. 000856482 650_0 $$aCollective memory in literature. 000856482 650_0 $$aCollective memory in art. 000856482 650_0 $$aNarration (Rhetoric)$$xTherapeutic use. 000856482 77608 $$iPrint version:$$z9783030020972$$w(OCoLC)1051674502 000856482 830_0 $$aPalgrave studies in affect theory and literary criticism. 000856482 85280 $$bebk$$hSpringerLink 000856482 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-3-030-02098-9$$zOnline Access$$91397441.1 000856482 909CO $$ooai:library.usi.edu:856482$$pGLOBAL_SET 000856482 980__ $$aEBOOK 000856482 980__ $$aBIB 000856482 982__ $$aEbook 000856482 983__ $$aOnline 000856482 994__ $$a92$$bISE