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000856492 019__ $$a1066122755$$a1067245304
000856492 020__ $$a9789811311772$$q(electronic book)
000856492 020__ $$a9811311773$$q(electronic book)
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000856492 08204 $$a792.0954$$223
000856492 1001_ $$aSaha, Sharmistha.
000856492 24510 $$aTheatre and National Identity in Colonial India :$$bformation of a Community Through Cultural Practice /$$cSharmistha Saha.
000856492 260__ $$aSingapore :$$bSpringer,$$c2018.
000856492 300__ $$a1 online resource (183 pages)
000856492 336__ $$atext$$btxt$$2rdacontent
000856492 337__ $$acomputer$$bc$$2rdamedia
000856492 338__ $$aonline resource$$bcr$$2rdacarrier
000856492 500__ $$aManuscripts and Archival Material From
000856492 504__ $$aIncludes bibliographical references and index.
000856492 5050_ $$aIntro; Foreword I; Foreword II; Acknowledgement; Contents; About the Author; List of Figures; Chapter 1: Nation and Its Theatre: Towards a Methodology; 1.1 A Matter of Conjuncture; 1.2 Coagulating Communities: Towards a Methodology; 1.3 The Historical Context; 1.4 The Logic of Progression; 1.5 Conclusion to the Introduction; Part I: Thinking Indian Theatre; Chapter 2: Critical Meanderings: 'Theatre' in Colonial India; 2.1 The Beginnings of a Discourse on 'Theatre'; 2.2 Discovery of an Identity; 2.3 Discovering Indian Theatre; Part II: Performing Indian Theatre
000856492 5058_ $$aChapter 3: A New Sociability: The Colonial Urbes Prima Goes to the Theatre3.1 Towards a Study of Colonial Sociability; 3.2 Sociability in the Premier Cities: The Case of Bombay and Calcutta; 3.3 'Handsome Actresses', Colonial English Sociability and Prodigal Energies; 3.4 English 'Publicity' and Colonial English Sociability; 3.5 Colonial Knowledge Formation and 'Discovery' of the 'Other'; 3.6 'Parthenon! Brotherhood!': The Other Discovers Itself; 3.7 A Detour: Gerasim Stepanovich Lebedev and His Bengali Language 'Theatre'
000856492 5058_ $$a3.8 Colonial Sociability, 'Theatre' and Native Elite Brotherhood in Calcutta3.9 Colonial Sociability, 'Theatre' and Native Elite Brotherhood in Bombay; 3.10 Native-English Interaction, Cultural Hegemony and Distinctive Features of the Urbes Prima Sociability; 3.11 The 'Becoming' of a Congregation: Is Our's or Their's a Relevant Question?; Chapter 4: Coming Communities and Vacillating Definitions: The Case of Censorship and Swadeshi Jatra; 4.1 Theatre: The House of Satan; 4.2 Sin, Salvation, Censorship and Theatre Within a Colonial Space; 4.3 Theatre, Identity and Colonial Native Society
000856492 5058_ $$a4.4 Public Arena and the Jatra4.5 Coagulating Peoples, Mutating Identities and the Swadeshi Movement; 4.6 Swadeshi Jatra and Vacillating Definitions; Chapter 5: The Commune-ist Air: The Case of the  IPTA Central Squad; 5.1 The Coagulating Communities at the Beginning of the Twentieth Century: A Case of 'Rowing'; 5.2 The Commune-ist Air; 5.3 Commune; 5.4 Transforming a Thought Form to a Material One (I): Life in a Commune-The Case of IPTA CS; 5.5 Transforming a Thought Form to a Material One (II): Performances of the IPTA CS; 5.6 'Spirit of India'; 5.7 'India Immortal'
000856492 5058_ $$a5.8 Communism in India and the Commune-ist Air5.9 Freedom and the Question of a National Theatre: Are They Contradictory?; Chapter 6: Epilogue: Indian Theatre: What Are We Talking About?; 6.1 On the Question of the Vitruvian Man (Fig. 6.1); 6.2 Theatre and Thiyetar or 'Yes, I Only Have One Language, Yet It Is Not Mine'; 6.3 Once More 'The National Question': The Present Perils of It; 6.4 Towards Not a Nationalist But a Contextual Definition or What Do We Call that Which We Have Called Theatre?; Bibliography; Magazines and Newspaper Articles; Paper Presented at Colloquium and Conference
000856492 506__ $$aAccess limited to authorized users.
000856492 588__ $$aDescripition based on print version record.
000856492 650_0 $$aTheater$$zIndia$$xHistory$$y19th century.
000856492 650_0 $$aTheater and society$$zIndia$$xHistory$$y19th century.
000856492 650_0 $$aTheater and nationalism$$zIndia$$xHistory$$y19th century.
000856492 77608 $$iPrint version:$$aSaha, Sharmistha$$tTheatre and National Identity in Colonial India : Formation of a Community Through Cultural Practice$$dSingapore : Springer,c2018$$z9789811311765
000856492 852__ $$bebk
000856492 85640 $$3SpringerLink$$uhttps://univsouthin.idm.oclc.org/login?url=http://link.springer.com/10.1007/978-981-13-1177-2$$zOnline Access$$91397441.1
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000856492 980__ $$aBIB
000856492 982__ $$aEbook
000856492 983__ $$aOnline
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