000856951 000__ 02715cam\a2200493\i\4500 000856951 001__ 856951 000856951 005__ 20210515160227.0 000856951 006__ m\\\\\o\\d\\\\\\\\ 000856951 007__ cr\cn\nnnunnun 000856951 008__ 180621t20192019ncua\\\\ob\\\\001\0\eng\d 000856951 010__ $$a 2018030091 000856951 020__ $$a9781478002536$$q(electronic book) 000856951 020__ $$a1478002530$$q(electronic book) 000856951 020__ $$z9781478001096 000856951 020__ $$z1478001097 000856951 020__ $$z9781478001454 000856951 020__ $$z1478001453 000856951 035__ $$a(DLC)EBC5609558 000856951 040__ $$aNhCcYBP$$cNhCcYBP 000856951 042__ $$apcc 000856951 050_4 $$aQC225.7$$b.S68 2019 000856951 08200 $$a534.01$$223 000856951 24500 $$aSound objects /$$cJames A. Steintrager and Rey Chow, editors. 000856951 264_1 $$aDurham :$$bDuke University Press,$$c2019. 000856951 264_4 $$c©2019 000856951 300__ $$a1 online resource (viii, 299 pages) 000856951 336__ $$atext$$btxt$$2rdacontent 000856951 337__ $$acomputer$$bc$$2rdamedia 000856951 338__ $$aonline resource$$bcr$$2rdacarrier 000856951 504__ $$aIncludes bibliographical references and index. 000856951 5050_ $$aReflections on the sound object and reduced listening / Michel Chion -- Pierre Schaeffer and the (recorded) sound source / John Dack -- The fluctuating sound object / Brian Kane -- Listening with Adorno, again : nonobjective objectivity and the possibility of critique / James A. Steintrager -- Spectral objects : on the fetish character of music technologies / Jonathan Sterne -- Listening after "acousmaticity" : notes on a transdisciplinary problematic / Rey Chow -- The skin of the voice : acousmatic illusions, ventriloquial listening / Pooja Rangan -- The acoustic abject : sound and the legal imagination / Veit Erlmann -- The alluring objecthood of the heartbeat / Jairo Moreno and Gavin Steingo -- On nonhuman sound : sound as relation / Georgina Born -- The sound of arche-cinema / John Mowitt -- Listening to the sirens / Michael Bull -- Entities inertias faint beings : drawing as sounding / David Toop. 000856951 506__ $$aAccess limited to authorized users 000856951 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 000856951 588__ $$aDescription based on online resource; title from digital title page (viewed on December 20, 2018). 000856951 650_0 $$aSound$$xSocial aspects. 000856951 650_0 $$aAuditory perception. 000856951 650_0 $$aSound (Philosophy) 000856951 7001_ $$aSteintrager, James A.,$$d1965-$$eeditor. 000856951 7001_ $$aChow, Rey,$$eeditor. 000856951 7102_ $$aProQuest (Firm) 000856951 77608 $$iPrint version:$$tSound objects.$$dDurham : Duke University Press, 2018$$z9781478001096$$w(DLC) 2018021935 000856951 852__ $$bebk 000856951 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=5609558$$zOnline Access 000856951 909CO $$ooai:library.usi.edu:856951$$pGLOBAL_SET 000856951 980__ $$aEBOOK 000856951 980__ $$aBIB 000856951 982__ $$aEbook 000856951 983__ $$aOnline